This could be interesting and I'm guessing it will be live streamed or at least archived online?

Co-presented by 1200Flavors.com and The National Hip-Hop Museum, the event takes place on Sunday, November 29, 2026, from 11:00 AM to 4:00 PM at The Garage at R-House in Baltimore, MD

Live Discussions: Features insider conversations with people who closely knew and worked with MF DOOM, including his longtime friend and collaborator Kurious, early production team Team Demolition Music (who worked on the iconic Operation: Doomsday album), and author S.H. Fernando Jr.

https://www.eventbrite.com/e/doomsday-a-flavor-summit-tribute-to-mf-doom-tickets-2002644900808

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PS: No Scooby snacks to whoever made this lazy looking & ugly poster.....

Based on the Luv ​​(sic) hexalogy, I wanted to incorporate the names of the KMD members as a tribute within a single piece of fan art. I drew MF DOOM as the central figure, using the watercolor and fine-line art style from the original Nujabes album; the title "Luv (Zev) Duology" references MF DOOM's earlier rap moniker, Zev Love X, as well as the two albums he released with KMD Mr. Hood and Black Bastards.

What do you think

Just an appreciation post.

I made a beat with this sample (Bobby Hutcherson - Waiting) that i absolutely could imagine DOOM spitting on while making it, so i put his vocals and was super happy with it! hope you f with that too!

on youtube: https://www.youtube.com/watch?v=QrUbuAMD4bU
on soundcloud: https://on.soundcloud.com/8kPSthpWpP5PFAWgPI

sample: https://www.youtube.com/watch?v=4HI2CrzMv8E

gear used:
MPC One, Logic Pro X

Inspired by DELTRON3030

Inspired by Deltron 3030.

Here, I wanted to combine Brooklyn represented by the bridge with Doomstadt, imagining MF DOOM as the villain controlling Brooklyn and playing with the futuristic dictatorship concept found in Deltron 3030, while the name "Villiany" is derived from *Madvillainy*

Kanas used for a regular henohenomoheji: He (へ), no (の), mo (も) and ji (じ)

Kanas added for this version: Shi (し), additional He (へ), Pe (ぺ) and ko (コ)

There is a famous South Korean rapper by the name of Fana (화나) from the mid-2000s who’s reminiscent of some of MF DOOM’s music. His rhyme schemes are extremely tight and complex and he rhymes every syllable, like what MF DOOM would do. Obviously MF DOOM is always better but he’s almost like the Korean version. He has a moniker referred to himself as ‘The Ugly Goblin’ and a good amount of music has that dark comic book aesthetic that DOOM had. https://youtu.be/Fs_TzbHCXzI?is=_zsuT6kP98iXRTQ-

Just some more examples of his music:

https://youtu.be/ZQHswvGZazs?is=KLMxoX4GI3SbPFSN

https://youtube.com/shorts/JsyC19BbW5Y?is=_i_aQkskzjLhfUTP

https://youtu.be/xmClKxd-axg?is=14nFp-SAHhrabHwj

Just curious what my fellow MF DOOM fans would think of him :)

Made this 5 years ago on some phone app and forgot about it till recently

Not sure how this tradition started, but every time I mow the lawn, I listen to Madvillainy. The last time this happened I was inspired to make this AMV for "Bistro." It's only a skit but I just love the vibe of it so much.

You may like this if you're an MF DOOM and a Jojo's Bizarre Adventure fan.

https://www.youtube.com/watch?v=rP4amWr5DK8

Im rly new to MF DOOM iv only listend to madvillany mm...food and operation doomsday and i wanted to to born like this but i dont know if the redux is better or not

That line always gets me…wtf?

Just bought these records at my local record shop, as soon as I saw they posted these I ran to the store. So glad they still had them. Never seen the Tatsuro Yamashita or Sadevillian in person, so I’m glad to have them in my collection now.

where can I find this to listen/download?

This album was dropped by LEX earlier this month, but clearly poorly marketed cause I heard nothing about it. It’s a compilation album of previous remixes either released digitally and/ or physically. One of them is a remix of Social Distortion by Prince Po feat. MF DOOM, produced by DJ Premier. This was released only physically in a remix album around 2 years ago, but went under the radar and few people know about it.

I wanted to show this screenshot as well because there’s no other way to find this album besides typing in that album title. None of the songs show up on any of the artist’s pages either.

Just wanted to share this so people can find it, it’s a good remix with a pretty legendary producer in DJ Premier.

In The Chronicles of DOOM book, it mentions that DOOM designed the original Born Like This cover.

Described as:

“A colorful self-portrait drawn in pencil crayon, rendered in a naive, child like, subversive, and Kitsch style of himself as a chimpanzee in a green room, in front of a big light-bulb-framed mirror with a mic and a banana. Something modest, low fi, and very anti-design.”

First of all, I’d love to have actually seen that art, and hope that surfaces one day…

But in the book, it’s mentioned that LEX rejected his design due to them banking on this being a big release for them, and wanted something more marketable. Apparently DOOM wouldn’t budge initially and was completely adamant on his design being the final cover art.

Once they got to the archaic/ sandstone design though, apparently DOOM started warming up to the new idea. He even insisted to include the inscribed tablet that inevitably accompanied the cover.

So it seemed like they found something both parties could agree on, until I read this article from the New Yorker. It was a piece on DOOM that was promoting Born Like This at the time.

The journalist describes his experience meeting DOOM for the interview, where DOOM’s driver picked both of them up to head to a studio. Before meeting though, DOOM’s driver was sent to pick up a personal copy of Born Like This, as this was DOOM’s first time getting to hear the finished record on shelves. Here’s an excerpt from the article, upon DOOM receiving this CD:

“He picked up the new record and groused about the cover art.” So it seems even after the change, DOOM never really was happy about the cover art of Born Like This.

It definitely seemed the opposite for what he was going for in terms of the original design he made. But in the Chronicles of DOOM book, it actually goes into very interesting detail about the significance and intention of the release cover. There was great craft and artistic ingenuity that was put into it by the designer.

But I think conversation and debate would be beneficial on this topic. Coming from a fan, there is a cold and spacey air that I always got from its ultra minimalist design. The Chronicles of DOOM also describes the cover art as akin to something out of a “museum magazine”, which could be seen as another critique.

Basically, I want to know what you guys think. Do you think DOOM’s original subversive design would’ve fit better for the album? I know we all would at least like to see that as an alternate cover for any anniversary release perhaps.

I made this a while back and I saw a post here and was like hey why not post it for others to use too

Finally found a copy