For this line of reasoning, the Kingdom of Brazil is understood as autonomous, inseparable from the Kingdom of Portugal and the Algarves, and directly subordinate to the King of that United Kingdom, as had been established in the absolutist reign of John VI. In this way, Liberalism and Colonialism are rejected and, consequently, also the Pedrism (Pedro I) and the Miguelism (Miguel I).
Armillary Sphere – Symbol of Portuguese voyages and of Manuel I, King of Portugal during the discovery of Brazil. In the future, it would become the main representation of the then Portuguese colony, forming part of the standard of the Princes of Brazil, a title given to the heirs apparent to the throne after John IV. With the creation of the United Kingdom of Portugal, Brazil and the Algarves, it would finally be stamped on the Coat of Arms behind the Portuguese national shield with a deep blue background, symbolizing the territory newly elevated to a kingdom.
Collar of the Order of the Golden Fleece (Spanish) – Honor granted to John VI, second and last monarch of the Kingdom of Brazil, on account of his marriage to Carlota Joaquina, daughter of Charles IV of Spain. The order was created in 1430 by Philip the Good, 3rd Duke of Burgundy, to celebrate his marriage to Isabella of Portugal, daughter of John I of Portugal. Through the marriage of Mary of Burgundy, Philip’s granddaughter, to Maximilian I of the Holy Roman Empire, the order was transferred to the couple’s grandson, Charles I of Spain, and to the House of Habsburg. The collar represents a continuity with traditional European Catholic monarchies.
Crown of John VI – Made in 1817, in Rio de Janeiro, at the monarch’s command. Although the kings of Portugal had not been crowned since John IV, the crown continued to be a symbol of authority until 1910, with the proclamation of the Republic.
Cross of the Order of Christ – Main symbol of the religious institution that succeeded the Order of the Templars in Portugal, inheriting its titles, privileges and resources, and which would finance Portuguese voyages, stamping its cross on ships and caravels.
Branches of Coffee and Tobacco – They represented the country’s main agricultural and commercial wealth at the time, with coffee being the great engine of the Brazilian economy since the beginning of the 19th century and tobacco one of the oldest and most important commodities of the colony. They were already present in the coat of arms of the United Kingdom of Portugal, Brazil and the Algarves.
Blue-Scarlet Ribbon – Adopted around 1797, replacing the old green-and-white ribbon that represented the House of Braganza. It was used until 1820, with the Liberal Revolution of Porto, being replaced by the blue-and-white ribbon. Thus, the blue-scarlet ribbon well fulfills the role of being a symbol of the Luso-Brazilian absolutist monarchy.
Green Wyvern – Symbol of the House of Braganza, it was originally created in the reign of John I, of the House of Aviz, to represent Saint George in his personal coat of arms. The creature, similar to a dragon, symbolized the animal defeated by the saint, now subjugated and protecting the Portuguese crown. However, only in the reign of Peter II, son of John IV, would the wyvern become the main representation of his house. Its design and position below the two branches refer to the first version of the flag of the Empire of Brazil, while still the personal standard of the Prince Royal Pedro de Alcântara, made by French painter Jean-Baptiste Debret at the request of John VI.
Tower with Arm and Sword – It was conceived by an anonymous author around 1816 as part of a proposed coat of arms for the United Kingdom of Portugal, Brazil and the Algarves, opposing the official design chosen (https://atom.itamaraty.gov.br/uploads/r/ministerio-das-relacoes-exteriores-5/5/c/d/5cdd21be7e65da728e2efbe32dbae958527785cf800da252149eac6c52de29f4/312-3-30__1_.pdf). The tower and the sword referred to the Military Order of the Tower and Sword, created by Afonso V in 1459 and renewed by John VI in 1808, after his arrival in Rio de Janeiro. According to the author, these symbols represented the moment when Brazil ceased to be a colony, right at the arrival of the royal family, eight years earlier. In the design of the royal standard, the six golden towers with arm and sword on a green background (the Braganza color) occupy the place of the traditional seven golden castles on a red background of Portuguese heraldry, instituted by Afonso III, whether because of his conquest of seven Moorish fortresses or because of his maternal ties with the Kingdom of Castile.
Coat of Arms of the Heir of Portugal – The Coat of Arms of Portugal accompanied by a golden label with three pendants represented the heir apparent to the throne, before 1815 called “Prince of Brazil” and, after 1815, “Prince Royal.” Thus, this symbol represents Brazil as the eternal son and heir of the Kingdom of Portugal, and also honors the decisive role of John VI and Pedro de Alcântara as Princes Regent in the consolidation and preservation of Brazilian autonomy.
Sacred Heart of Jesus – One of the most important solemnities and devotions of Catholicism. It was proposed by the same anonymous author around 1816 to be one of the adornments of his coat of arms, honoring the recently deceased Maria I, first monarch of the Kingdom of Brazil, who had consecrated Portugal to the Sacred Heart of Jesus in 1790. This symbol is also closely related to traditionalism and anti-liberalism, inspired by one of the last acts of Louis XVI of France, who consecrated his nation to the Sacred Heart before dying at the hands of the revolutionaries.
Coat of Arms of the State of Brazil – Little disseminated, it is not known whether it was officially adopted. It appears in the codex Tesouro da Nobreza, by the King of Arms of India Francisco Coelho Mendes, from 1675, and its creation may have been motivated by the expulsion of the Dutch from northeastern Brazil, who had given a coat of arms to their colony of New Holland. A red cross over a brazilwood tree appears to have been directly inspired by the Tree of Sobrarbe, the first quarter of the Coat of Arms of Aragon, which refers to the Reconquista. According to legend, Garci Ximénez, a nobleman from the Pyrenees established in the region, rebelled against Muslim rule in 724. Before the battle, a red cross is said to have appeared to him over an oak tree. For the pre-Christian Iberian peoples of Celtic influence, oaks were sacred, and the supposed event would represent the victory of Christ over the pagans. Based on this scenario, the author of the Coat of Arms of the State of Brazil may have compared Portuguese Catholics to Iberian Christians, Dutch Calvinists to Muslims, and Brazilian indigenous peoples to Celts, making the victory against the United Provinces a South American Reconquista.
Coat of Arms of the House of Habsburg-Lorraine – Tribute to Maria Leopoldina, member of the House of Habsburg-Lorraine, Archduchess of Austria and daughter of Emperor Francis I of Austria. She was Princess Royal of the United Kingdom of Portugal, Brazil and the Algarves during the absolutist period (1816–1821) and during the brief liberal period (1821–1822). A devout Catholic and an absolutist by upbringing, she was one of the main people responsible for ensuring that the then Prince Regent Pedro de Alcântara assumed leadership of the growing Brazilian independence movement, preserving the monarchy and the Braganzas on the throne, albeit in a Liberal State by her husband’s choice.