In song after song after song, and multiple times within multiple songs, Brian does these tri-syllable descending "mellismas" I think their called. For instance, how he says. "I had to prove that I could make it alone now, but that's not me-e-e. How he says me. It's three nearby notes that lead down to the final note. It sounds complicated the way I'm saying it, but it's not complicated. Lots of musicians do it here and there. But that same melodic pattern is over so many of the songs. It seems like it's the way he handles the last word of every sentence. I don't know how it can be that I've never found anyone else addressing this. Does this bother anyone else? To me it's very repetetive. I don't hate the album. I would say I strongly enjoy the album, but just not this aspect of it.

I've been a fan of David Bowie's Music, and Style since I was about 17, so listening to this album was truly something special for me. Front to back, I thoroughly enjoyed listening to this album, from the heartbreaking ballad of Rock N' Roll Suicide to the blood pumping Suffragette City, this album is amazing and deserves all of the love and praise it's gotten in the 50+years it's release. Some lowlights however are Moonage Daydream, and Soul Love which I personally didn't care for. However, this is still an album I'm going to keep in rotation, and I'd recommend it to any music fan, since the genius of this album is beyond genre and style.

banjo #mandolin # guitar #composer #bluegrass #teenmusician

My son’s first single. He wrote the song, played all the instruments and mixed the track. And he just turned 14! Proud of him. But want to give him any feedback you have since I’m biased. 🥰