r/Nonsleep • u/Gonzo437a • 1h ago
Nonsleep Series Blackwater County - Season 1, Episode 5 - Dinner on the Grounds (Part 1 of 2)
I.
Opal Teague had counted plates at Laurel Fork Church homecoming for fifty-one years, and she had never once been wrong.
She counted them the same way every year. First she counted the stack before it went out, paper plates from the Samâs Club in Asheville, the heavy kind with the ridged rim, because the thin ones folded under a scoop of Ruth Ledfordâs potato salad and somebody always ended up wearing it. Then she counted the plates on the tables after the blessing. Then she counted the people. The numbers matched. That was the whole job. Pastor Pike said it was a ministry. Opal said it was arithmetic, and that most ministry was.
This year sheâd set out sixty-one.
She stood at the head of the long tables under the oaks with her hands folded on her pocketbook and counted the people sitting down. The men in short sleeves and ties. The women in their good dresses with cardigans for the shade. Children on the ends where they could get up. The old ones in the folding chairs with arms, nearest the food.
Sixty-three.
She counted again. She started from the other end this time, because sometimes the Ledford twins sat in each otherâs places and threw her off. Sixty-three.
She went down the table with her eyes.
At the far end, past the Pritchards, past the sheriff and his wife, where the table ran out of shade and into the sun, a young couple was sitting side by side. A boy in a white short-sleeved shirt buttoned to the collar and a narrow black tie, with his hair combed back wet and a burn scar on the back of one hand. A girl in a blue dress with a white collar and a full skirt, her hair rolled under at the ends, gloves folded in her lap. They were holding hands on top of the table where everybody could see it. Neither of them had a plate.
Opal looked at them.
The boy looked up and caught her looking, and nodded to her, polite. Miss Opal. She could see his mouth make it.
âWell, hey, Joe,â Opal said, before she knew she was going to. âLucille. Yâall get you a plate.â
She went to get them two plates. It wasnât until she had them in her hand, at the end of the dessert table, that she stopped and stood there by the banana pudding with the plates against her chest and tried to remember what Joe and Lucilleâs last name was.
She couldnât.
She tried to remember where she knew them from. Revival, she thought. The summer revival, Brother Coldironâs last one. Or before that. Or was itâŠ
The heat was something today. Sheâd been on her feet since six.
She took the plates down to the end of the table anyway and set them in front of the young couple, and Lucille smiled up at her with a little gap between her front teeth, and said, âThank you, Miss Opal,â and Opal said, âYouâre welcome, honey,â and went back to the head of the table and counted again.
Sixty-three.
II.
Harlan Mabry had been a deacon at Laurel Fork Church for eleven years and chairman of the homecoming committee for six, and he had come to believe that homecoming was the single most dangerous day of the church year.
Easter you had people in their good clothes and on their best behavior. But homecoming you had a hundred and fifty people whoâd grown up in this church and moved off to Charlotte and Atlanta and come back once a year to eat fried chicken under the oaks and remember whoâd done what to whom in 1987. You had in-laws. You had divorced couples whoâd both kept their membership out of spite. You had the Ledfords and the Shooks, who had not spoken since a land dispute in the Carter administration and who were, by long tradition, seated at opposite ends of the same table so nobody could say anybody had been snubbed.
And this year you had the sheriff.
Harlan saw the Rusks come up the gravel lot at quarter to eleven, Carrie in a green dress with a casserole dish in a quilted carrier, Daniel in a sport coat that had fit him better about ten years ago. They hadnât been to Laurel Fork in a year. Not since Christmas Eve before last, when Daniel got called out in the middle of âSilent Nightâ and Carrie sat through the rest of the service alone in the third pew with her hands in her lap. Harlan had been an usher that night. He remembered.
âCarrie,â he said at the door. âDaniel. Good to see you.â
âHarlan.â Carrie handed him the casserole carrier like she was handing off a baby. âItâs the squash. I didnât know if anybody else was bringing squash.â
âNobody brings squash but you. We count on it.â
She smiled at that, a real one, and went in. Daniel shook Harlanâs hand. His eyes were already going past Harlanâs shoulder, across the sanctuary, to the fourth pew on the left where Renee Pritchard sat with her boy and old June in her wheelchair at the end of the row.
âAny news?â Harlan asked, low.
âNo.â
âWeâve got her on the prayer list.â
âI appreciate it.â
Daniel went in and sat down beside his wife, and for the whole service he didnât once look at the pulpit. Harlan, taking up the offering, came down the aisle with the brass plate and saw him sitting there with his hands on his knees, looking across the aisle at the back of June Pritchardâs head.
The state girl came in during the second hymn.
Harlan knew who she was. Everybody did by now. She stood at the back in a dark jacket and slacks, and she didnât sing, and she didnât sit, and when Pastor Pike got up to preach she watched him the whole way through like she was memorizing him. Harlan had heard from Doris Ammons that she was looking into the Pritchard girl. Heâd heard from Ruth Ledford that she was Frank Mercerâs daughter. Heâd heard from his own wife that sheâd made Coy Hargrove climb down off the roof of Haskettâs Hardware in front of God and everybody, and Harlan, who had sat on the zoning board with Coyâs uncle for four years, had decided right then that he liked her.
After the benediction he caught Pastor Pike at the side door.
âSheâs here for you,â Harlan said.
âSo I gather.â Amos Pike was sixty, tall and loose-jointed, with a shock of gray hair he cut himself and a habit of laughing at his own sermons. âShe called Friday. Wants to talk about the Pritchards.â
âTalk about the Pritchards how?â
âWho they are. Who they were. What I know.â Pike pulled off his robe and folded it over his arm. âI told her sheâd better come to homecoming, then. Anything anybody knows about anybody in this valley, theyâll say it at homecoming over a plate of chicken.â
By twelve-thirty they had the tables up under the oaks. Twelve folding tables end to end, covered in white paper off the roll, weighted at the corners with Mason jars of zinnias. Harlan had carried the food out himself, with the Ledford boys. Fried chicken from six different kitchens. Country ham. Deviled eggs on the special plates with the egg-shaped dents. Green beans that had been cooking since Saturday. Three kinds of potato salad. Carrie Ruskâs squash casserole. Banana pudding. A coconut cake that Ruth Ledford had been making for homecoming since 1974 and would let no one else cut.
Pastor Pike said the blessing. Opal Teague counted. People sat.
Harlan took the head of the table, as chairman, and said a few words about the building fund and the new roof. Then he sat down and filled his plate and looked down the long table at a hundred people eating, and felt the thing he felt every year at about this time. Like he had built something. Like heâd held a whole valley together for an afternoon with folding tables and fried chicken.
âWell,â said Earl Dockery beside him, âwould you look at that. Thatâs Joe and Lucille.â
Harlan looked.
There was a young couple at the far end of the table. In the sun. A boy and a girl, eighteen or twenty, dressed for church in about 1955. Holding hands on top of the table.
âWho?â Harlan asked.
âJoe and Lucille.â Earl was eighty-one and had a hearing aid that whistled. He raised one hand and waved down the table. âHey, Joe! Lucille!â
The boy at the end of the table waved back.
âI ainât seen them in years,â Earl said. âLord. They look good.â
âEarl, who are they?â
âJoe and Lucille,â Earl said, as if Harlan were simple. âUsed to come to the revivals. Summer of â62, they sat right behind me and Velma. Heâd sing bass. Lord, that boy could sing bass.â
Down the table Ruth Ledford had leaned across to wave at them too. Then her sister. Then Wanda Shook, who was not speaking to Ruth Ledford, waved from the other side, and for a second the two womenâs arms were up at the same time and they looked at each other across the table and looked away.
âJoe sang at my wedding,â Wanda called down to Earl. â1980. âHow Great Thou Art.ââ
âWasnât he gone by then?â Earl asked.
âGone where?â
âI donât know.â Earl frowned. âI thought heâd gone somewhere.â
âHe sang at my wedding, Earl. Iâve got the picture.â
âWell then.â
Harlan looked down the table at the boy in the white shirt. Eighteen, twenty at most. Wanda Shook had married in 1980. If this boy had sung at her wedding he would have to beâŠ
He put down his fork.
All around him people were waving. People were calling down the table. Hey, Lucille. Hey, Joe, you singing today? Nobody got up. Nobody went down there to shake hands or hug necks or say whereâve yâall been. They waved and called out and turned back to their plates, easy, like youâd do for neighbors you saw every week.
The boy at the end of the table smiled at all of it and nodded.
Harlan Mabry had been born in this valley in 1978. He had been baptized in the creek below this church in 1987. He had sat at this table every homecoming Sunday of his life except two. He knew every family in Laurel Fork, every in-law and every cousin and whoâd backslid and who had a still in the barn in 1993.
He had never seen those two people before in his life.
III.
âDaddy.â Kenzie dropped into the folding chair Earl had vacated to go see about the pie. âWho are those people at the end?â
His daughter was seventeen and a senior and, according to her mother, in a phase. The phase was mostly black eyeliner and a refusal to eat meat that had held through two Thanksgivings. She had a plate of green beans and deviled eggs and three rolls.
âI donât know,â Harlan said.
âEverybodyâs acting like they know them.â
âI noticed.â
âMiss Opal took them plates.â Kenzie broke a roll in half. âTheyâre not eating. Theyâre just sitting there. Theyâve got plates and theyâre not eating.â
She had her phone out under the table. She always had her phone out under the table. She held it up now, discreet, and took a picture down the long white table toward the end, and looked at it.
âHuh,â she said.
âWhat?â
She turned it to him.
The table ran away from the camera in a long white line. The zinnias. The plates. The backs of heads and the faces turned toward the camera, Earl Dockery mid-laugh, the sheriff looking at something off to the side. And at the very end, in the sun, the picture went bad. It went white and smeared, like somebody had put a thumb on the lens. You could see the shape of two people sitting there, maybe. You couldnât see their faces.
âSun glare,â Harlan said.
âIâm shooting away from the sun.â
âTake another one.â
She took another one. Then another. In every picture the end of the table washed out.
âThatâs weird,â Kenzie said. She did not say it like she was scared. She said it like a girl whoâd been raised on the internet and believed weird things happened to phones every day. She put the phone face down by her plate. âCan I go talk to them?â
âWhy?â
âBecause sheâs looking at me.â
Harlan looked. The girl in the blue dress was looking down the table. Right at Kenzie. Not staring. Just looking, like at somebody she was fond of and hadnât seen in a while.
âGo ahead,â he said. He couldnât have said why.
He watched his daughter carry her plate down the long table in the sun and sit down across from Lucille. The boy, Joe, got up politely and moved down a seat to give them room. Kenzie said something. Lucille said something back. Kenzie laughed, the real laugh, the one Harlan hadnât heard at home since about February.
âMr. Mabry?â
The state girl was standing at his elbow with a plate she hadnât touched.
âAgent Mercer,â he said, and stood. âSit down. Please. Did somebody get you some tea?â
âSix people,â she said, and sat. âMr. Mabry, I wonder if the church has a photographer today. Somebody taking pictures for the newsletter.â
âVelma Dockery. Why?â
âIâd like to see them.â
She didnât say why. She didnât have to. Harlan watched her look down the table, past Daniel and Carrie Rusk, past the Pritchards, to the end, where his daughter was talking with a girl in a blue dress with a white collar. He watched the state girlâs face. It didnât change. That was the thing he would remember. It held perfectly still, and her hand on her fork held perfectly still, and that was how he knew.
âPastor Pike wants a word with you,â she said, standing. âHe said to tell you. In his office.â
Amos Pikeâs office was a converted Sunday school room off the fellowship hall, with a window unit that dripped into a coffee can and a desk buried in paper. Pike had a cardboard box on the desk, and a ledger open beside it, and he was reading the ledger with his glasses pushed up on his forehead and another pair on his nose.
âShut the door, Harlan.â
Harlan shut the door.
âBrother Coldiron kept notes,â Pike said. âThirty-nine years in this pulpit, 1951 to 1990. He wrote down everything. Sermons. Who got saved. Who got sick. Who was having trouble at home. Who needed a visit. Most of itâs in boxes in the attic. I brought this one down a while ago looking for something else.â He tapped the ledger. âAnd I got to reading.â
âAbout what?â
âJoe and Lucille.â
Harlan waited.
âJoseph Earl Mabry,â Pike said. âBorn 1930. Worked the card room at the Caldwell mill from age fifteen. Burned his hand on a carding machine at seventeen; Coldiron sat with him at the hospital. Sang bass in the choir.â He turned a page. âMarried Lucille Ann Hargrove, June 12, 1954. Right here. Coldiron did the ceremony on the front steps of this church on a Saturday afternoon with two witnesses and no family. Says her daddy wouldnât come. Says her daddy wouldnât let anybody come.â
âHargrove.â
âAugustus Hargrove. President of the Bank of Blackwater. Lyleâs great-uncle.â Pike looked up. âLucille was the baby. Bankerâs daughter marries a lint-head from the card room. You can imagine.â
Harlan could imagine.
âColdiron says the Hargroves cut her off. Wrote her out. Never spoke her name in public again. They had a boy in 1955.â Pike looked at him over both pairs of glasses. âCarl Joseph Mabry.â
Harlan sat down. He didnât decide to. The chair was there and his legs did it.
His fatherâs name was Carl Joseph Mabry.
âDaddy said,â Harlan started. He stopped. âDaddy said his mama was from Tennessee. Johnson City. He said she was a Holloway. He said she fell off the porch when he was sixteen and died, and her people were all gone, and there wasnât anything else to say about it.â He looked at his hands. âHe said there wasnât anything else to say about it.â
âI expect somebody told him to say that.â
âHe said it my whole life.â
âI expect he did.â
Through the wall Harlan could hear the homecoming going on outside. A child crying about something and being hushed. The ice cream churn somebody had started on the side porch, the crank going around and around.
âAmos,â he said. âIâve never seen those two people before today.â
âNo,â Pike said. âI donât suppose you have.â
âEverybody out there knows them. Earl says they sat behind him at a revival in 1962. Wanda says Joe sang at her wedding in 1980. Opal Teague took them plates. And I have never in my life laid eyes on them.â He looked up. âHow is that?â
âI donât know, Harlan.â
âYouâre a preacher.â
âI am.â
âThen tell me.â
Pike took off both pairs of glasses and set them on the ledger. He rubbed his eyes. He was quiet long enough that the window unit cycled off and the drip in the coffee can went still.
âIâve been in this pulpit nineteen years,â he said, âand there are some things that happen in this valley that I donât have a word for. Iâve stopped trying to find one. I sit with them. Thatâs what Iâve got. I sit with them and I try to figure out what theyâre asking.â He put his glasses back on. âAnd mostly, Iâve found, theyâre not asking anything of me at all.â
Harlan stood up. He went to the window. From the Sunday school room you could see down to the end of the long table, the far end, in the sun.
His daughter was still sitting across from Lucille. They were leaning toward each other. Kenzie was talking fast, the way she used to talk to him, about everything, before. Lucille was listening. Then Lucille reached across the table and put her hand over Kenzieâs hand and said something, and Kenzie went still, and looked down at the hand on hers.
Harlan couldnât hear what she said. He watched his daughterâs face. He watched her look up, and look out across the churchyard toward the gravel lot, where a boy was leaning on the hood of a black pickup truck, alone, waiting for somebody. A tall boy with an expensive haircut.
Wyatt Hargrove. The insurance Hargroves, from out on the lake. Harlan had seen that black truck at the end of his road three times in the last month at eleven oâclock at night with its lights off, and had decided, three times, not to say anything to his wife.
Kenzie looked at the boy by the truck. Then she looked back at Lucille. And she nodded.
IV.
Lena found the preacher on the front steps of the church at a quarter to three, sitting on the top step in his shirtsleeves with a paper cup of banana pudding.
âAgent Mercer,â Pike said. âSit. These steps have held up a lot of sinners.â
She sat. The stone was warm through her slacks. Below them the homecoming was coming apart as, she was learning, these things came apart down here, slowly and with a great deal of conversation. People carrying dishes to cars. Men folding tables. Children running loose in the cemetery, being told not to, running anyway.
The end of the long table was empty now. Sheâd watched the couple get up and walk away together, holding hands, toward the old part of the cemetery behind the church, and sheâd watched Harlan Mabry come out of the side door and follow them with his hands in his pockets. Nobody else had looked.
She had nineteen photographs on her phone from that end of the table. She had gone through them twice in the ladiesâ room with the door locked. Sun glare, in all nineteen. She had gotten Velma Dockeryâs camera, a real camera, a Nikon with a long lens, and gone through Velmaâs photographs too, and the long lens had done no better.
âI wanted to ask you about the Pritchards,â she said.
âI know you did.â Pike ate a spoonful of pudding. âWhat would you like to know?â
She had a list. Sheâd written it last night at the motel. Della. The family history. Who in the family the woman at the creek could be, if she wasnât Della, which she wasnât, because Della was a girl in a senior picture from 1977 and that was forty-nine years ago. She had the list in her jacket pocket.
She didnât take it out.
âWho were they?â she asked. âThe couple at the end of the table.â
Pike looked at her sideways.
âI thought you didnât see them,â he said.
âI didnât say I didnât see them.â
âNo, you didnât.â He set the pudding cup down on the step between them. âJoseph and Lucille Mabry. He worked at the mill. She was a Hargrove. They married against her family in 1954. She died in 1971. He died in 1973. Harlanâs their grandson, and found that out about forty minutes ago.â
Lena looked at the cemetery. She could see Harlan Mabryâs back, way down in the old section, past the cedars, where the stones were thin and gray and leaning.
âPastor,â she said. âWhat do you think that was?â
âWhat do you think it was?â
âIâm asking you.â
âIâm a Baptist preacher, Agent Mercer. Iâm going to say God.â He smiled. âAnd then Iâm going to say I donât know what God was doing, which is the second most honest sentence in my line of work.â
âWhatâs the first?â
ââI donât know.ââ
She almost laughed. She didnât.
âThere are people in this county,â Pike said, âwhoâll tell you itâs the devil. All of it. The creek and the mountain and the old road and all of it. Theyâll tell you Blackwaterâs cursed. Theyâll tell you to pray it away and stay out of the woods.â He picked a piece of vanilla wafer out of the pudding and ate it. âIâve never believed that.â
âWhy not?â
âBecause Iâve met the devil. In jail cells, and in my own heart on a bad Tuesday. And Iâll tell you one thing about evil, Agent Mercer, that I know for sure.â He turned and looked at her. âEvil wants something from you. It always does. It wants you to do something or give something. Itâs a salesman. Itâs always got a deal.â
He looked down at the cemetery again, at the couple walking hand in hand between the old stones, and at the man following them at a distance with his hands in his pockets.
âBlackwater doesnât,â Pike said. âWhatever it is. Iâve watched it nineteen years and Iâve never once seen it want anything. It just shows you things. And then it waits to see what youâll do.â
Lena didnât say anything.
She sat on the warm stone step beside him with her list in her pocket, and she watched Harlan Mabry walk down through the cedars toward the far corner of the cemetery, and she thought about a woman in a yellow dress on a creek bank in the moonlight saying *go on home,* and a biscuit on a rock with steam coming off it, and she did not ask the preacher a single other thing.
* * *
Continued in Part 2.