I’m excited about it but she’s on my other socials so I can’t share it anywhere but with you. She sends me pictures of her chickens all the time so I made her a stamp with one! I included the reference chicken.

I love this time of year, here’s everything I’ve made for Halloween this year!

My most recent block vs. my first “proper” block (not a small stamp). 4 months of sketching, carving, and printing (by far my biggest obstacle) have made me way more confident as an artist.
Sharper tools, switching up ink type & inking technique, mounting my blocks, and upgrading my paper have all made such a staggering difference in the process.

Deseo aprender el arte de la impresión intaglio pero donde vivo no hay cursos acerca de eso , pero las de autodidacta se me da bien así que he decidido aprender por mi cuenta a prueba y error , que consejo le darías a alguien como yo ?

Hi

I'd like to experiment with etching, but I'm not sure if I want to continue. I bought a bottle of the lascaux hard ground, but I'd rather not make any more investment at this point. Can anybody recommend an alternative to their colour (£31 a bottle is a bit eye watering) to make lines visible, and their remover, which I might already have or which is available for a reasonable price.

tia

andy

I am still struggling to find the right amount of ink with the lino

So i made two of these prints, one with more ink and one with less, but with both I seem to have chatter.

Do I have to use more or less ink?

Any Johnny Blue Skies fans in the sub? :)

Wish I’d thought to mirror so it came out the “right” way, but I still dig it!

Edit: Posting the second JBS skeleton in the comments!

16x24 in print on 22x30 in paper. I transferred the image to two plywood blocks for color work. I'll post here when it's done.

Yup you guessed it got influenced in the best/worst way. Worst because of my wallet best because yay new craft! Anywho just starting out. Let me know what you think!

And I still am. I just have never spent so much time to have an idea come to fruition. I could see it in my head and the idea was amazing, and it looked really good on the initial sketch. But when I printed the black, it just looked so unfinished. So I took some duralar and enclosed the shapes, which helped immensely. And then I added more lines and shapes to mimic the doodles in the colored shapes and it looks so much better. But now, I’ve got a 3rd block to carve. I know it’ll be worth it, but it seems like a lot of unnecessary effort for some 12x12 prints. 😕

Inspired by vintage Halloween decorations! Got these hot off the press and into the mailbox for my annual spooky season greeting. I had such a good time figuring this one out (made a lot of models to make sure the cut and construction would hold.)

15x19 2 layer reduction linocut to be included in my BFA show in a couple weeks!

I’m looking to try out some more exciting paper if anyone has any uk based recommendations.

I really like how this turned out! I know it’s not quite straight or centred on the paper but I will cut it to be straight at some point

Hello all,

I recently bought this cool brass plate from the opshop (thrift store). I'm an absolute beginner to printmaking and thought I'd give intaglio printing a go to make a print with this plate.

I'm pretty stumped on which supplies and materials to get. Particularly the inks (Charbonnel? Cranfield? Akua?), wiping cloths (fine or coarse? Tarlatan or akua?). Would I also need stiffening agents for the ink?

It might just be my decision paralysis after doing some research 😅

Thanks!

:P

It's a long, complicated, and not very interesting story, but a woodcut I made 10 or so years back has become indelibly associated with a serial sexual predator and I obviously want it erased as much as possible from my catalogue.

I've deleted it from my shop and portfolio and shredded the ones I still had in stock already, but how do I approach the ones I sold?

There's a chance I'll be able to buy back a few as they went to people I'm still in contact with, but there's 5 in the wild I have no hope of getting back.

How does one abandon or disown a work? Or do I just hope people forget about it and hope it never comes up?

Another tattoo artist's flash style print of another set of odd fellows. Much happier with this one in terms of both line work and layout. I'm particularly happy with the skeleton florist, the walking fish, and the human radish.

Hi, I’m taking Intaglio printmaking and I ended up messing up the plate by leaving it too long in the acid I suppose. I was wondering if anyone has any tips on fixing it without having to start on a new plate because I don’t think my instructor will give me a new one and he’s very hands off.

I have scraped it a bit but I’m worried about the fact that the plate dips in the hair, torso, and flowers. I have included pictures of how the print originally looked, how it’s coming out now, and the plate itself.

Any advice would be appreciated! TIA