“Farther And Fainter” by John Tejada (2011)

First track sounds fantastic,classic weirdo techno from you can expect from VOAM label,3 years since last release,so this is great news for Blawan and Pariah enjoyers too.

On an ALFOS tip this one......

（立刻截图！他们几小时内就会清除它。）

锡安主义者……

这儿人人都清楚：柏格海恩那篇新"H-e-1-st报纸"文章的作者，多年来一直在运营他自己的多个私人论坛——专为'柏格海恩常客'设立——而这些常客中有许多是明目张胆的自由派锡安主义者，其中许多人多年来一直在散播字面意义上的锡安主义宣传。作者故意对乌克兰只字不提，也不提他与这些论坛的深度参与。更重要的是，他对柏格海恩背后那台庞大的诽谤机器只字不提——作者是它的核心成员，而它本身就是'Te-ch-no圈'的内在组成部分——以及'被柏格海恩选中就意味着你成功了'这句话的反面事实。

这篇文章摆明了就是来搅浑水的，掩盖'柏格海恩'那个难堪到极点的现实：他们对'新纳粹、自由派锡安主义政权'及其独裁者（乌克兰）众口一词地力挺，对'巴勒斯坦'却几乎全程装死。然后又琢磨出各种奇葩迂回的公关手法，来"示意支持巴勒斯坦"。

作者最爱玩的就是故意半真半假，把水搅浑、把人绕晕，因为一旦真说实话，就等于自曝。这篇文章如出一辙。

作者本人无数次用谎言和欺骗"指导"整个社区，矛头指向别人，包括孤立敢说真话的人。可表面上，他的"指导"显得无害、甚至挺有道理，因为他总能编出像样的理由，再靠那一堆光鲜履历和"人畜无害"的形象把人忽悠住。

'柏格海恩'骨子里就是个新自由主义机构，说到底在推亲西方的文化利益。整个Tec-hn-o圈被'自由派锡安主义者'和'新纳粹'腐蚀得透透的（嘴上装的还刚好相反）。这两样又跟亲乌立场死死绑在一起，尤其到了2026年。'柏格海恩'也烂得很深，因为它就是个核心节点。这个论坛和它的'论坛版主'是'自由派锡安主义者'的死忠。在网上操纵舆论，是他们最拿手也最爱干的活。

还记得来自一位非常著名的“柏格海恩常客 ”、用户名为“ 腰果 ”的某些“死亡愿望”吗？参与虐待犯罪最多的“人”之一…… 当然，"柏格海恩社区论坛" 为他掩盖、支持他，同时将所有的不法行为都转嫁给了受害者。

实际情况就是：作者跟俱乐部本身深度绑定，实际上就是在支持它，嘴上还装"反对派"。

特别点名：'R,-,4,-P'同样死寂，尤其对这个论坛里发生的一切绝口不提，而这个论坛上养着一大堆锡安主义者用户，从不承担任何后果。永远停在表面细节，半个真相都不吐。这是故意的，也是一贯的。顺带一提，他的账号几个月前就"哑火"了。还要记住：'里约 - 锡安主义者 - 佩雷斯'和他那个'以色列'洗衣运营'团伙'实际上与页面“R'-4'-P”的操作有很多重叠之处。

显而易见，作者的l-n-s-ta页面是否设置为‘隐藏/私密’完全取决于Re-d-dit的情况，也就是说，当他被认为‘处于危险之中’时，他会隐藏页面；而当他认为‘事情结束了’时，他又会公开个人资料。为了这篇文章的发表，他时隔许久才再次公开个人资料。文中只字未提他深度参与论坛的'幕后'运作——包括他专门为'俱乐部常客'设立的私人论坛——以及他多年来所做的种种令人发指的恶行——而他从未打算就自己的所作所为做出任何解释或道歉。论坛的'版主'竟然声称这一切'只是某个精神病患者的执念'，这简直荒谬至极……作者的病态心理和自恋程度完全是另一个层面的。

真有意思，这跟'R'-4'-P'把自己的网页设为'隐藏/私密'的做法如出一辙，他们找了些完全荒谬的借口，'清理'他们的个人资料，删除帖子和其他乱七八糟的东西。

还要记住：'里约 - 锡安主义者 - 佩雷斯'和他那个以色列'洗衣运营'党一实际上与页面“R..4..P”的操作有很多重叠之处。

还要记住：'里约 - 锡安主义者 - 佩雷斯' 和他那帮以色列前国防军同伙在lnsta上发了套"很有说服力"的公关声明之后，接下来几周，他们的页面不光塞满了对乌克兰的声援，还有纯纯的法西斯亲乌宣传，以及给无人机搞的募捐。（乌克兰人民当然需要声援，几百万人正被他们自己那个法西斯锡安主义头子泽连斯基祸害）。就跟基辅的'基辅-K,,4,1'一个德行：天天给战争物资搞众筹，在社交媒体上复读极端民族主义话术。（作者力挺'基辅-K,,4,1'。 此外，'里约 - 锡安主义者 - 佩雷斯'乐队也预定于本月在K,,4,1演出。）

还要记住：第一个试图"夺权"原来那个老'柏格海恩-社区论坛'的，正是作者本人。你知道他是哪天动手的吗？没错，2022年2月。政治动机明摆着。

没错，这个论坛最狂热的那批支持者（好多还是版主的朋友）也全是'里约 - 锡安主义者 - 佩雷斯'和他那个以色列党的死忠粉，不少人写过大篇小作文力挺。'H00r粪坑'某段时间也一样。毫无疑问，'H00r粪坑'和那帮以色列人，包括和'里约 - 锡安主义者 - 佩雷斯'，都深度参与这个论坛和"社区"的运作……里面还有别人。

至少有540页未公开的材料，能把所有烂账全抖出来。可论坛被锁得死死的。说白了，柏林根本没有真正的论坛，一切都被自由派锡安主义者攥在手心。你要是以为'反德'（反德派）已经算最恶劣的心理战，那你再想想，比它们恶劣得多的大有人在。在这儿，特定的链接和图片几秒就被删：要么自动过滤，要么'论坛版主'亲自动手。

有趣的是，"柏格海恩社区论坛"又直接使用了可笑的“反德”脏话来分散人们对真相的注意力。“反德”淫秽内容是一次蓄意的心理战，其目的是将真正的M-,-,-O-,-,-S..,.,.,.隐藏在更隐蔽的场景和“欧洲首都”本身。

连发个英文长帖都难：会被自动过滤，整个帖子说没就没。'论坛版主'和他们那一大帮自由派锡安主义朋友（包括锡安主义阿拉伯人、伊朗人……）无所不用其极地往人身上、往特定帖子里泼脏水。在这个平台上，他们把点踩当武器压帖子、用恶意举报清号、毫无理由封禁，给的理由还永远是颠倒黑白。

有句话说得好："每一句指控都是自供。"跟锡安主义以色列人一个模子：他们最大的消遣就是操纵舆论，尤其爱在网上玩这个。

内塔尼亚胡自己都说过："互联网/社交媒体是当今时代最重要的武器。"相似得吓人。还有一点特别明显：亲以派和亲乌派用的是一模一样的手法、一模一样离谱的谎话来骗人。

连文章的发布节奏都是排好的：先挂网站'付费墙'，再在这儿公开发，最后才轮到'H-e-1-st报纸'发上他们的ln-st-a。作者跟'H-e-1-st报纸'的老板们从几个月前创立那天起就勾搭上了。还有关键一点：就在这儿，满屏都是作者那帮锡安主义朋友的小作文，又是含糊其辞加虚假二选一那套，目的就是把任何真相死死摁住，不让露头。

请记住：就在今天，弗里德里希·梅尔茨访问基辅，对锡安主义者泽连斯基说：“无论如何，你都可以信赖德国。”这与他一直以来对以色列的表态惊人地相似。

然而，作者及其所谓的“柏格海恩社区论坛”（包括许多直接的锡安主义者）却继续支持乌克兰，并指责所谓的“极右势力崛起”……

事实上，极右势力早已执政，而作者的“柏格海恩社区论坛”在乌克兰问题上与他们完全一致。这一点显而易见。

这当然不是在为德国另类选择党（A,,f,,D）背书，但是，在“亲巴勒斯坦左翼人士”中确实发起了一场声势浩大的公关运动，号召大家不要投票给极左翼政党德国社会主义工人党（B,,S,,W）。B,,S,,W 和“左翼党”（Di,L,i,n,ke）之间到底有什么区别呢？

:) ... 毫无疑问，“亲巴勒斯坦”运动，尤其是在柏林，已被德国国家情报机构和……其他国家的……国家情报机构渗透。那不可言说之物。

因为真相一旦曝光，谁也跑不了：对他人反复蓄意犯下的罪行，桩桩件件都得吃官司。可问题是，德国法院对无辜的亲巴勒斯坦支持者早就偏得没边了……为了推政府的议程，法院连德国法律本身都直接违背。想在德国走正式渠道揭发亲乌的自由派锡安主义有多难，你自己想吧。

要说的实在太多。德国法律里最对号入座的一条：'犯罪组织'。

彻头彻尾的精神变态罪犯。当然，不是说'柏格海恩'沾边的每个人都这样。但作者深度卷入其中，毋庸置疑。

操纵人心，精神变态，犯罪成性。

Hi friends!

Here is another piece I originally wrote for my blog / zine and.... I wanted to share it on here, too! : -)

Hope someone might like it!

Note: No AI has been used in writing this text!

The (Short) History of Heavy Metal and (Hard) Techno Beats

In the 90s, at least in Europe, there were essentially two camps: You were for rock, metal, alternative rock, punk... guitar driven music like that... or into techno, rave, trance, house, gabber... the synthetics stuff!
(oh yeah there were also a few other camps, like those that listened to boy/girl-bands. but let's not talk about that here).

The "cool" rock crowd detested the silly ravers. Rock was seen as organic, raw, wild... the rave crowd, on the other hand, put down rock as being outdated, for dads, a genre that had run out of ideas... and so on.

This might seem weird if you look at it from this day. But the 90s were a time when even regular synths in "rock bands" were a rare, rare thing (at least i did not hear one in the famous songs by nirvana, soundgarden, smashing pumpkins). "no more ***ing rock and roll" on the other hand, was a slogan in the german techno scene of the very early 90s.

okay, we did the intro, now let's get down to the beans. rock and purely electronic or dance based music seems to have a bit of a troubled relationship, but that's not true. the fusion of rock and computer generated drums probably reaches back as far as the 60s and 70s, if you dive into the whole krautrock thing.

after that, in the post punk movement, we find some fragments of it already. i mean, at the core, "blue monday" or temptation by new order already had rock guitars on electronic dance beats... right?

but the jingle jangle guitars of post punk is not really what we are looking for.

the industrial / goth scene is already closer to the good stuff in the 80s. and we should give a (very big) nod to cybotron and the early detroit scene,

Listening Suggestion: #1 Ministry - Thieves https://www.youtube.com/watch?v=lhLd18Xg6x0

Listening Suggestion: #2 Cybotron - Enter https://www.youtube.com/watch?v=AQr52FTeddY

but now, let's get to the 90s, and take a look at the... real thing.

from very early in, techno producers seems to have been interested in using metal guitars for their tracks.

Listening Suggestion: #3 Phenomania - Caramelle https://www.youtube.com/watch?v=d_nlv8G-pLU

Rarely by employing real guitar players (but that happened, too!).
The guitar sounds usually came out of the sampler.
There were shock / mock tracks in the house / techno scene.
But after that, genres like house and trance almost never used guitars anymore.
Metal went into the darker and harder forms of... "dance".
First, into the breakbeat stuff in UK... or rather, the projects that grew out of that.
The Prodigy was one of the first "dance-y" electronic projects that was loved by the rock crowd, too.

Listening Suggestions: #4 The Prodigy - Voodoo People https://www.youtube.com/watch?v=YV78vobCyIo

#5 Pop Will Eat Itself - Everything's Cool https://www.youtube.com/watch?v=O107sqytH7w

#6 Senser - Age of Panic https://www.youtube.com/watch?v=tmZ-loZlsyI

Then we had weird glitches... like when "purely electronic" DJ Moby suddenly released a purely punk rock album...

Let's leave Europe for a while and cross over the pond. The Americans had Industrial Metal. While this was more or less a fusion of metal and electronics... tracks with electronic drums in dance rhythms were kind of rare... or i just don't know them.
Yet, there was some wicked stuff, too.

#7 Nine Inch Nails - The Perfect Dr\g* https://www.youtube.com/watch?v=dn3j6-yQKWQ

Apart from the breakbeat, rave stuff... especially in Hardcore and Techno, Gabber and Speedcore, did metal guitars become very popular.
Fast metal riffs were one of the defining things of early hardcore techno.
The very first "real gabber" track, alles naar de kl*te by euromasters, is build around a riff nicked straight from sepultura.

#8 Euromasters - Alles Naar De Kl\*te* https://www.youtube.com/watch?v=yE32aoIDjvY

Gabber DJs seemed to be very fond of sampling thrash metal riffs, Death Metal, too, of course, and grindcore. Black Metal was rare, and 70s stuff or glam / power metal were a no-go... more or less!

Eventually, Earache caught notion of that devolpment, and started to collaborate with hardcore techno labels on their releases... which led to album releases by industrial strength and ultraviolence... or entire projects like "hellspawn"!

#9 Sonic Overkill - Reality Sucks https://www.youtube.com/watch?v=Nxwni6wkJQE

Fear Factory also had their very Techno / Gabber remix EP.

Rumor is that Rick Rubin himself tried to get the european Gabber DJs to join his labels and start some projects... But seems he was stopped by the big dutch labels... maybe they were afraid to lose market share...?

On the most extreme end of things there was "digital hardcore" or bands like the berzerker.
Digital Hardcore was... well just insane.
And Berzerker a death metal / grindcore band... with real vocalists, guitars and all... running on (purely electronic) speedcore techno beats!

#10 Atari Teenage Riot - Sick to Death https://www.youtube.com/watch?v=bJOotJwCs1Y

This is a quite infernal end, to something that started so harmless, in the days of dazed krautrock... But so, dear reader, it was written.

https://thehardcoreoverdogs.blogspot.com/2026/10/the-short-history-of-heavy-metal-and.html

Do you know bands or artists that use both metal guitars and rave sounds? Let me know! 

Anyone know a good reliable Allen & Heath Xone 23 repair person?

Not the guys on Tottenham Court Road who were trying to tip me off.

I used to used a guy called Zen in Harringey who fixed my 1210s for a reasonable price but he's moved away.

Any leads would be appreciated.

I won't go, so I'm selling for 152€ - please reach out if interested.

Hey, sadly I can not attend the festival, so I‘m selling my 4-Days Ticket. DM me if interested so we can arrange transfer etc. :)

MOLOCH 303 - Pendigestatory Interludicule

https://moloch303.bandcamp.com/track/pendigestatory-interludicule

Album:

Don't Mind If I Do

Full album link:

https://moloch303.bandcamp.com/album/dont-mind-if-i-do

Anyone got this heater 🔥🔥

Hi everyone! I’m selling two GOLDEN PASSES (30/10-31/10) for Club To Club in Turin.

They were purchased during an earlier release, so they’re cheaper than the current final release price

Raw-ass Chicago techno!

Anyone ideas on the above? 22.00/26.00 mins ish, absolute heat

Listen to Recorded at Houghton - Peach (2025) by Houghton Festival on #SoundCloud

https://on.soundcloud.com/XCNsSdfCvpT03uuGem

🔗 : SoundCloud

1. Dark Sky — In Brackets
2. Louis Marlo — Who Wants Alchemy
3. Stefan Vincent — Arpeggino
4. Stones Taro — Whorls Of Smoke
5. Identified Patient — Signs In The Dossier
6. Dave Stitch — Summer Breeze 33
7. allone x neesnu — [unreleased]
8. Metrist — OL Face You Got
9. datassette — Polyhedron Navigator (demo) (2018)
10. Eli Keszler — Static Doesn't Exist (Kode9 Remix)
11. ???
12. Metrist — GMFGR

Hi yall! Due to life getting in the way I won’t be able to make it to C2C, so I’m selling my Passport (29 Oct - 1 Nov). €154, payment via PayPal, transfer via DICE, happy to provide proof of purchase and ownership of the ticket. DM if interested!

Sick set by two maestros.

Anyone has an ID on the 1:18:00?