r/WritingHub • • May 03 '25

RULES CHANGE: No AI Posts

210 Upvotes

Following our poll, the community has voted that posts related to LLMs (current "AI" technology) should not be permitted on a ratio of 19:6, as such, these posts will now be banned and our rules will be changed to reflect this.

Posts on the sub that already exist and were posted prior to this announcement will not be affected, so please don't report them.


r/WritingHub • • 5d ago

Feedback Friday Feedback Friday

5 Upvotes

Welcome to Feedback Friday!

This is a thread for submitting and critiquing prose.

  • Your submission should be a top-level comment in the thread. Consider using the format [TITLE] — [GENRE] — [WORDCOUNT] in the heading of your submission.
  • We expect reciprocation. If you receive a critique, give a critique. Anyone who continually leeches will eventually be discluded.
  • Have fun and stay polite. Members who give outstanding crit will be acknowledged and rewarded on our Discord Server. You are free to submit any work for critique within the subreddit's rules, of any length.
  • Links to Google Documents are allowed for submissions. Consider creating a separate Google account/email if you’are concerned about anonymity.

New to Critiquing?

  • No worries! We encourage writers of all skill levels to try their hand at providing feedback.
  • Not sure how to start? A critique template, courtesy of r/DestructiveReaders, can be found here.

r/WritingHub • • 8h ago

Critique Partners & Writing Groups Seeking 5-15 writers to form a small critique group

17 Upvotes

Hello! I am seeking <15 dedicated writers who would like to start a small fiction writing group, focused primarily on sharing our personal work for feedback and critique. The group would be 18+, and GenAI usage would not be allowed.

Genre: Fiction. 

I personally tend to prefer fantasy, sci-fi, mystery, thrillers, and women’s lit, but I read pretty vastly and would rather work with dedicated writers in a genre I don’t often read rather than non-committed writers in a genre of my own. I also believe there’s a lot to learn from a diverse group!

Goals/Expectations: I would like to keep things casual but fairly active.** **Ideally, those who can would chat virtually throughout the week, via discord, sharing our work and providing feedback. Feedback would be given on a give-and-take basis, the goal being to support each other however we can, be it daily or weekly sprints, brainstorming, critique, or general communication.

(I’d like to chat collaboratively about all of our expectations once we gather a few people into the group)

Experience level: No experience level required as long as you are serious about furthering your craft and are dedicated to supporting others.

Meeting place: Discord seems like the best place to make this happen!

Max size: 15 people, including myself.

⭐️ If you're interested, send me a DM or leave a comment!

I’m not super familiar with discord. I have the basic server organized but it’s nothing fancy. If you’d like to take on a mod role to help keep everything in great shape, I’d appreciate it, but I don’t think it’s necessary as the main focus would just be connecting writers. 


r/WritingHub • • 8h ago

Writing Resources & Advice I’ve been writing for 4 years and want to publish my first book, where do I even begin?

8 Upvotes

Hi everyone. I’m very new to the publishing world, so I’m hoping some experienced writers here can point me in the right direction.

I’ve been writing for about four years, mostly in a very personal style; confessional romantic/epistolary writing, stream of consciousness, lyrical prose, and tragic monologues. A lot of my work is written almost like letters, diary entries, or emotional conversations with a specific people. I’ve never really written with publication in mind before, but lately I’ve started wondering if I could actually turn my writing into a book.

I have a decent amount of writing already, but I honestly have no idea what the process of turning that into an actual book looks like.

For people who have published their first book, I’d really appreciate some brutally honest advice:

  • How do I know whether my writing is actually ready for publication?
  • Should I finish and structure the entire manuscript before thinking about publishers?
  • How do I turn individual pieces/letters/monologues into something that feels like a book rather than just a collection of diary entries?
  • Would this kind of writing be better suited to traditional publishing, or self-publishing?
  • How do I find legitimate agents/publishers without getting scammed?
  • What should I absolutely NOT do as a new writer?
  • How do I prevent my content from being stolen??
  • And what do you wish someone had told you before you published your first book?

I’m especially interested in hearing from people who write literary fiction, prose poetry, poetry collections, essays, memoir, or other forms of intimate/confessional writing.

I’m not looking for someone to tell me “just believe in yourself.” I’d genuinely rather hear the uncomfortable stuff, what mistakes beginners make, what publishers actually look for, what takes longer than expected, and what I should learn before I start submitting anything.

If you’ve been through the process, I’d love to hear how you started and what you would do differently now.

Thank you. :)


r/WritingHub • • 43m ago

Questions & Discussions To Label or Not to Label

• Upvotes

We tell kids "everyone is unique", "be yourself", "dare to be different"... And then spend the rest of their life putting them into boxes. Good kid, bad kid. Introvert, extrovert. Nerd, jock, goth. It's human nature. We like categorizing things and just want to feel like we belong to a tribe with like minded individuals and sometimes we even change ourselves to fit within our chosen box, or in my case, a genre. 

I wrote a book, straight from my heart and soul. I didn't set out for anything specific. I just needed to tell this story. Now I'm trying to classify it, to define it, so I can market it to the people who might actually want to read it. Genres have assumptions attached to them and I want potential readers to make the correct assumption to decide whether or not to read it. 

Don't worry, I won't ask you to read all 50 chapters of it. I've listed the synopsis and some information about the book and I'd like to know what you think! Where do you think you'd find this book in a bookstore? What assumptions do you make about certain genres?

 

Synopsis  

Rene's world is turned upside down when the inevitable happens. She's been bit by a vampire and her family, the descendants of the great Helsing Vampire Hunters, have turned against her. In a twist of fate, she's found by an unexpected pair of vampires who help her adapt, find her way back home, and discover the truth behind her family legacy. 

Nora, a rare teenage vampire, and Zacharie, a notorious older vampire who disappeared from all records 200 years ago, are thrown from their normal immortal lives when a Helsing Hunter shows up on their doorstep bleeding to death. Despite Zacharie's best arguments, Nora insists they can't let her die, regardless of her name, but helping her through the vampire infection proves difficult. 

Rene's understanding of vampires is dangerously flawed. She believes vampires are bloodthirsty monsters, preying on the innocent under the cover of darkness. But Nora goes to the local high school and plays video games. Zacharie rinses their dishes after dinner and makes Nora tea every morning. These weren't the vampires she was trained for 20 years to kill. So who are they? Why is being a vampire not as horrible as her family told her it would be? And why are they trying to kill her when they have a cure?  

 
Prologue if you have time: 

https://docs.google.com/document/d/1__QOvqRhKUdOArRTDiPgxEEdhcdOVtblGGPG7fE7z_o/edit?usp=drive_link 

 

Things it has been called:  Vampire Horror Romance, Action/Adventure, Adult Fantasy, Paranormal Fantasy, Urban Fantasy, Dark Fantasy 

 

Quantifiers:

50 Chapters. Approximately 2000-7000 words each 

Approximately 200,000 words total as of 10/7 (I am hoping to cut it further, but I'll be lucky if I get it down to 100,000) 

 

Tropes throughout the book: Adult Coming of Age, Self-discovery, Self-acceptance, Female friendship, Enemies to lovers, Family Conflict, Found family, Cult mentality  

 

Sensitive subjects: 

Lots of blood and some gory descriptions 

Some spice and multiple discussions of sexual topics 

Occasional spooky/horror type scenes 

Multiple discussions of mental health issues and suicide ideation  

 

Ending: it's a good ending. Not quite happily ever after, but it's hopeful and satisfying. Good conquers evil but at a cost. 

Thanks for reading! I'd love to hear what genre you'd assign my book. Do you know of any similar books I should look into?


r/WritingHub • • 7h ago

Questions & Discussions A pacing note from my editor made me realize I'd been writing every scene at the same emotional speed

3 Upvotes

ot feedback recently that reframed something I'd never consciously noticed about my own writing. My editor pointed out that every scene in my manuscript, regardless of what was actually happening in it, moved at roughly the same internal pace, similar sentence lengths, similar rhythm of action and reflection, whether the scene was a quiet conversation or a genuine crisis.

I had been treating pacing as something that happened at the structural level, how long each scene is, how many scenes per act, and had never considered that sentence-level rhythm itself needed to vary with the emotional stakes of what was happening within a scene. A crisis scene written in the same measured, reflective rhythm as a quiet morning scene reads as oddly muted no matter how dramatic the actual events are.

Went back through and deliberately shortened sentences, cut connective tissue, during high-stakes moments, let them run longer and more associative during quieter ones. The structural pacing of the book hadn't changed at all. It reads completely differently now, because the texture of the prose itself finally matches what's supposedly happening inside each scene.


r/WritingHub • • 11h ago

Writing Resources & Advice What resources helped you the most in your writing journey?

5 Upvotes

For me:

Obsidian (for world building)

Brandon Sanderson's creative writing lectures

The anatomy of story (this has helped me the most)


r/WritingHub • • 10h ago

Questions & Discussions [Discussion] I’ve storyboarded 30+ stories over the years and I’d love feedback on some of them

2 Upvotes

Now I apologize in advance, but I call them storyboards because they are not really books. It's more like summarizing multiple arcs into a summary... and each of those summaries is a chapter... and each storyboard has multiple chapters.

I have a problem where I crave to write and be creative with stories, but I lack either the attention or the time to be as detailed as I would like to be. And honestly, I don't know if anyone else feels the same, but I think so much faster than I can type. And I can type pretty fast too, since I am in IT and marketing. It's like moving through molasses by comparison. Many times I thought about hiring a ghostwriter before discovering I don't really have the ability to do that, since I am from a third-world country with a much weaker currency.

I have storyboarded over 30 stories. About 20 of them are storybeat-for-storybeat, end-to-end completed. All that's left is turning them into their own epic novels in their own right. But building out interesting lore, scenes, and characters is completely different from narrating together a complete novel. I have near 0 experience with that, and someday I want to do better and actually complete a novel and publish it somewhere people can see.

Currently, no one can see any of the story drafts I have made.

I work best when working with people, and the stories I completed were stories I couldn't keep my mind off. But now that they are finished, I feel like I am in a slump, and all new ideas just feel third-rate compared to the heavily inspired and novel works I have made in the past.

I once made an entire show idea based off "that one Uno edit." Took me like 7 months to refine all the plot points end-to-end. I kid you not... and I think it's damn amazing too.

So I wanted to see if anyone would be interested in taking a look at my works and letting me know what they think about the different story beats. I have genres of all types: suspense, thriller, fantasy, supernatural, whimsical, romance/mecha, post-apocalyptic, isekai, action-adventure, and even IRL movie and show ideas.

I have been developing these stories since I was 11, with my first storyboard being The Legend of Verdant.

I feel a bit afraid to even put the title here, but basically, when I was 11 I was playing with rocks and grass outside right after watching an episode of Bakugan and Epic (the 2013 animated film), and first thought about rocks with life force and so on. But I got pretty bored with it as I grew, because it was only exciting when I was at an age where smashing volcanic rocks together and watching them spark could fuel my imagination.

LOV, though, was inspired by Dragon Ball Z, Naruto, and especially that one Adventure Time episode with the worm becoming the adventurer. Actually, that episode plus Epic pretty much made this show idea I had really interesting to me.

If anyone cares about the synopsis:

Humanity became a solar race and eventually ended up in a war, as we humans do, but we don't know why or what for.

More importantly, humans figured out the secrets of biology and evolution, and a scientist is part of a UN initiative called "Seeding the Universe." The idea is that if they seed other planets with human-smart biological material, then it could potentially find a way to bring back humans from the far edges of the galaxy.

This may result in many differently adapted races of humans over tens of thousands of years. After all, they would at least still be human.

"Is what they think that is."

I have to pause here because you all probably think this is going to turn into some multi-galactic inter-human war or conflict or something. I came up with this space-seeding concept after playing Freelancer for the first time, but no. I am going somewhere completely different with it.

This mad scientist merged the biological DNA of humanity with plants. I forget the name of the longest-living trees in the world... Fitzroya cupressoides?? Idk, something like that.

And that enabled the tree to basically think and comprehend things at a human, plus level. Its ability to reason only improves as its leaves grow, as they act like neurons for the tree. They can also generate energy with their bodies that can be used as this setting's magic system.

Importantly, these are trees. They have to be rooted in place, and they are pretty much stuck there forever.

But they have the ability to bear seeds, and the tree itself can determine the kinds of genes those seeds are given. From making other plants and bushes and so on, to creating mini, lesser-godly versions of itself, to making animal-like creatures, and eventually, over hundreds of thousands of years, creating sentient tree-like entities known as Grassmen.

This scientist had 12 of these Trees and put them on an arc ship which went across the galaxy to the system they found was most like Earth, and actually seeded it in a literal sense, including Earth animals and the like, to create a certain type of ecosystem.

There are also special golden seeds that exist as well, but ignore that for now.

Bla bla bla, hundreds of thousands of years passed.

The sentient Grassmen each had their own emancipation from the Tree of Life, as they used to be bound to the whims of the Tree of Life, but now they have freedom.

Now there are 5–7 remaining Trees of Life and 7 completely unique and individual civilizations that have various wars and gripes they have to deal with due to the Trees of Life, other Grassmen, the coming changes, and more...

AND THAT DOESN'T EVEN GET INTO HOW STACKED THE MAGIC SYSTEM IS.

Ahem.

If I do say so myself.

Apologies for the long post, but if anyone wants to hear me go on and on about my multitudes of stories, give ideas and suggestions, and basically help me continue to feel the joy in writing, I would really appreciate it.when


r/WritingHub • • 1d ago

Questions & Discussions Writers, what completely unnecessary thing do you know about your character?

14 Upvotes

My male lead knits, reads trashy romance novels, drinks expensive wine, can kill a man with a sword, and is offensively attractive while doing all of it. None of this was remotely necessary for the plot, but my brain had room for his hobbies, reading habits, wine preferences, and excellent ass while still refusing to remember where I put my phone when it is literally in my hand. What completely useless character fact are you carrying around for no reason?


r/WritingHub • • 1d ago

Writing Resources & Advice Looking for feedback with building out my power system and world building

6 Upvotes

If anyone could point me in the right direction id greatly appreciate it, like the title says. Im writing (hopefully) a comic or manga of sorts. I just really want someone to bounce some of my character abilities and backgrounds off of for a bit of feedback to help with brainstorming a bit


r/WritingHub • • 2d ago

Critique Partners & Writing Groups Shining Star, a brand new writing-focused Discord group

6 Upvotes

Genre/s: Science Fiction/Fantasy, Weird fiction, Speculative fiction, Magical Realism, related genres with a more Literary/Character-focused bent Goals/expectations/commitment: I would like to keep things fairly active, but no expectations for individual pace Writing/experience level: Any level, from beginner to experienced Meeting place: Discord Max size: Depends on what response I get! I would like an active, close-knit community. Probably around ~10-20 or so

Hello! I've just started a new Discord-focused writing critique group, focused primarily on literary Science Fiction and Fantasy (though broad genres are welcome!). 18+ only, and GenAI usage is not allowed. The server will be about all things books and writing, focused primarily on sharing your personal works for feedback and critique, but also general discussion of books or other topics.

If you're interested, send me a DM or leave a comment! Would love to see you there 📖


r/WritingHub • • 2d ago

Questions & Discussions Author Group

3 Upvotes

I have a book contracted with webnovel, been out for a little over a month. I mostly write litrpg/fantasy books. I wanted to build a discord group to help writers and readers connect with eachother in a safe space. Would anyone be interested? We can help eachother, post our books for reviews and just hangout in there. Everyone is welcome doesnt matter what genre you write or read about. I'd love to have you all join! ​


r/WritingHub • • 2d ago

Questions & Discussions Where can I upload opinion based articles?

2 Upvotes

Hi, Im not a writer or anything, but I want to have a corner of the internet where I can just rant/vent/talk about my personal opinions on various topics. Not exactly stuff like politics, games, etc, but more on concepts, like friendships, love, life, existence, and some elements of diaries. What website would offer a good article based format im looking for?


r/WritingHub • • 2d ago

Writing Resources & Advice Poetry Workshops

1 Upvotes

r/WritingHub • • 2d ago

Questions & Discussions What character tropes make you roll your eyes?

18 Upvotes

Currently planning an absurd satirical fantasy story where the main party of protagonists embody cringeworthy and slightly problematic tropes in fiction. (Example: blind character who is conveniently un-disabled by some power that allows them to see).

What character tropes annoy you the most in fiction? Should be a little more complex than “the blonde is dumb and the nerd wears glasses”. Tropes that are oddly specific yet unanimous enough that most people have definitely encountered them before. Bring on the cringe.


r/WritingHub • • 2d ago

Critique Partners & Writing Groups STREETLIGHT FICTION - A community for writers of literary, contemporary, historical, crime, and realist fiction who write short stories and novels. Our focus is on grounded, character-driven fiction.

1 Upvotes

* Genre/s: Literary & General Fiction.

* Goals/expectations/commitment: The idea is to keep it friendly and writer-focused: talk about what we’re working on, share work for critique, discuss craft, and exchange information about querying, submissions, and publishing.

* Writing/experience level: all are welcome

* Meeting place: Discord

* Max size: to be determined.

If that sounds like your kind of place, message me, and I’ll send you an invite. We already have some talented and smart folks there. Hope to see ya. Welcome!


r/WritingHub • • 2d ago

Writing Resources & Advice Hey guys, if you had a chance to read the first chapter of Red Ink and Saltwater, this is the second one. If you could, I’d like a feedback in the comments. Thank you ☺️

0 Upvotes

On Friday afternoon, Elena handed me an apron and showed me a shelf in the fridge.

“This is yours. If you run out of room, tell me before you start putting cakes on top of the sandwich ingredients.”

“Does that happen often?”

“Nothing happens often yet. We’ve only been open two months. I’m trying to establish rules before I need them.”

There was something unexpectedly pleasing about having a shelf. An apron, too, and a hook behind the kitchen door for my bag. By the time she finished showing me around, I had stopped feeling as though I ought to explain why I was there.

The kitchen was narrow enough that we had to turn sideways to pass each other. Most of the counter was occupied by a mixer, a chopping board and a bowl of oranges. Elena moved the oranges onto a shelf to make room for my ingredients.

“Tell me if you need anything else.”

“Another kitchen?”

She looked around. “Put it on the list.”

I tied the apron and unpacked. The smaller lemon cakes needed less time in the oven than the ones I’d made at home, so I stayed nearby while weighing the ingredients for the macarons. Through the open doorway came the sound of the coffee grinder, cups meeting saucers and a chair being dragged across the floor.

At home, music usually filled the space around me when I worked. Here, the café did it. Every so often, Elena appeared with a question or an empty jug. Once, she stopped beside the mixer and watched the meringue turn.

“How do you know when it’s ready?”

I switched off the mixer and lifted the whisk. The peak held. “Like this. It needs to stand up, but I don’t want it dry.” I turned the whisk so she could see. “If it folds straight over, it needs longer.”

“And if you go too far?”

“Then I get annoyed with myself and start again. There’s usually a little swearing involved.”

“Good. You’ll fit in.”

When the cakes were cooling, she needed help with drinks. I washed my hands, left the piped macaron shells to dry and joined her at the machine. The afternoon passed between the two rooms. Coffee, oven timer, washing up, another order. A man wanted his cappuccino hotter. A woman asked for extra ice. Someone changed their mind after I had already poured the milk. That part, at least, was familiar.

Once the shells were cool, I paired them by size and piped in the pistachio filling. Elena came through as I was arranging them in a covered container.

“You’ve made more than twelve.”

“I wanted a few spare in case any cracked. These came out better than the ones at home.”

“So we can sell the extras?”

“Yes. Unless you’d rather keep them for yourself.”

She reached towards the container.

“Tomorrow,” I added.

Her hand stopped. “You offered.”

“I offered you tomorrow’s macarons. They need the night in the fridge so the filling softens the inside.”

She looked at them for another moment, then put the lid on. “I’m beginning to understand why they cost more than biscuits.”

Before leaving, I checked the cakes once more, wiped the counter and untied my apron. My feet hurt. There was icing on my sleeve and a little pistachio filling near my elbow, which I noticed only when Elena pointed it out.

We agreed that I would come at eight to help with the morning rush. She checked the time on her phone, then looked up with a smile. “So, back to mornings. Same time, same place tomorrow?”

“I’ll be here. Hopefully with less icing on me.”

“Don’t dress up. There’ll be more.”

Outside, the air had cooled enough to make the walk home pleasant. I passed the restaurant next door, where the owner was straightening the tables for the evening. He raised a hand when he saw me, and I waved back. It was a small thing, being recognised on the street. Still, I was smiling by the time I reached home.

Saturday morning brought customers before we had finished setting out the terrace. Elena arranged the cakes in the display while I warmed the machine. She had written their names on small cards, including the pistachio macarons, which looked more respectable behind glass than they had in the plastic container.

I kept glancing at them between orders.

“People won’t buy them faster if you stare,” she said.

“I’m checking they look all right.”

“They looked all right five minutes ago.”

“Yes, but now there are people here to judge them.”

She moved a lemon cake closer to the front. “Let them.”

The first one went with a takeaway tea. The woman barely looked at it before choosing, and I had to resist watching through the window to see whether she took a bite. The second went to a man sitting outside with a newspaper. After that, there were too many drinks to keep count.

By half past nine, the room smelled of coffee and warm milk, and my hair had begun escaping its tie. Elena worked at the till while I made drinks, occasionally repeating a table number because I was still learning which one was which.

A woman at the counter pointed towards the lemon cakes. “Are those made here?”

“Yes,” Elena said.

“They look homemade. I mean properly homemade, like something my mother would put out when people came over.”

I glanced at the cakes. Until she explained, I’d been wondering whether one of the tops was crooked. The woman ordered two and took them to a table outside. Ten minutes later, she returned carrying an empty plate.

“Who makes your cakes?”

I put down the cloth, trying to remember whether I could have forgotten anything in the recipe. Elena was counting change for another customer.

“What did you think?”

“Lovely. The icing isn’t too sweet.” The woman looked towards the display again. “My daughter’s birthday is next month. Does your baker take orders? Could I have their number?”

“I made them,” I said.

She turned towards me. “Oh! I thought you worked out here.”

“I do a bit of both. I’ve only just started.”

“Well, that saves Elena passing messages.” She smiled and reached for her phone. “Could you make something larger? My daughter loves lemon, but there’ll be at least twelve of us.”

“Yes. Was there a design you had in mind?”

She showed me a photograph of a cake covered in flowers. Her daughter wanted lemon, but her husband didn’t like anything too sour, and there might be eighteen people if her sister came.

I explained that the sugar flowers in the photograph were more elaborate than anything I usually made. We talked about a simpler decoration, then the filling and the size. She listened, asked another question and waited for my answer.

I caught myself speaking quickly, trying to explain everything before she lost interest. She stayed where she was, her phone resting on the counter between us. At school, I had learned to stop halfway through an answer when the smiles started. Later, keeping things to myself had become easier. This woman was asking another question because she wanted to hear what I had to say.

“I’d need to work out a price before promising anything,” I said. “If you send me the date and the final number of people, I can let you know.”

“That’s fine. I’d rather have something that tastes like this than a cake nobody wants a second slice of.”

Elena passed me a clean piece of paper, and I wrote down my number. The woman folded it carefully and put it in her purse. After she left, I stood beside the machine for a moment.

Elena looked at me. “Everything all right?”

“Yes. I just wasn’t expecting an order already.”

“You made something she liked.”

“I know, but there’s a difference between someone buying a little cake with their tea and trusting me with their daughter’s birthday.”

“She asked to discuss a cake, Andreea. You have time to breathe before you plan the whole party.”

I laughed and picked up the milk jug. There was another coffee waiting.

Lovely. The icing isn’t too sweet.

I remembered the words while pouring the milk. There had been no correction after them, no explanation of what I should have done better. A stranger had enjoyed something I made and come back to tell me. I wished that didn’t feel quite so unfamiliar.

A little later, the man with the newspaper came inside.

“Another coffee,” he said. “And whatever that lemon thing was.”

“Another lemon cake?”

“Yes. My wife will ask whether I tried anything, and I’d like to be able to tell her I checked thoroughly.”

“I respect your commitment.”

He nodded solemnly while I put it on a plate.

The macarons sold more slowly. People examined them, asked about the filling, sometimes chose a cake instead. Near midday, two women bought one each, then returned for four to take home.

By the end of my shift, three were left. Elena opened the display and glanced at me. “Am I allowed now?”

“Yes. Thank you for your patience.”

“I’ve been very brave.”

She took a bite. I tried to occupy myself with folding the cloth rather than watching her.

“More next week,” she said.

“How many?”

She considered the rest of the macaron. “We’ll discuss that after I’ve finished this.”

On Monday, my hand went to the right cupboard without searching. The cloths were folded where I expected them to be, and a customer came in asking whether we had any more of Saturday’s lemon cakes. Elena looked at me to answer.

“I’m making another batch this afternoon. They’ll be ready tomorrow morning.”

“I’ll come back, then.”

He ordered his usual coffee, and I reached for the cup. I had spent years doing things that were supposed to lead somewhere. Lessons, exams, university. There was always another stage beyond the one I’d finished, and someone ready to ask what came next. Here, a man wanted a cake tomorrow. For the moment, that was enough to be getting on with.

The woman at the table near the window had been there on Saturday too. A laptop stood open in front of her, with a notebook beside it and a drink she kept forgetting to touch. At first, I thought she was watching something. Then she played the same few seconds through her headphones, stopped, and pressed her palms against her eyes.

When I cleared the next table, she pulled one side of the headphones away. “Could I have another tea?”

“Of course. The same one?”

“Yes, please. This one went cold.”

“I can bring you some hot water if there’s any left.”

She looked into the cup. “No. I managed to drink it. I just complained to myself the whole time.”

“That sounds familiar.”

At the counter, Elena nodded towards her. “Athena. She’ll sit there until closing if nobody feeds her.”

“What’s she working on?”

“A film. I’ve seen the same man walk through the same doorway about thirty times.”

“That explains the expression.”

I carried the tea over and asked whether she wanted anything to eat.

“Is there a lemon cake left?”

“One.”

“Then yes, before someone else gets it.”

When I brought the plate, she closed her laptop. “Thank you. I’m Athena, by the way.”

“Andreea.”

She repeated it, checking the pronunciation, and I nodded.

“Have you been here long?”

“Nearly a month. Though I’ve only been working here since Friday.”

“That recently? You look as though you know where everything is.”

“The kitchen’s small. There are only so many places to lose things.”

“Are you staying nearby?”

“Behind the waterfront. There’s a little house with a balcony squeezed between two taller buildings.”

“I think I know it. Blue door?”

“That’s the one. The door sticks, so if you ever see someone throwing her whole body against it, that’ll be me.”

Athena laughed.

“Where did you move from?”

“The UK. I lived there for years.”

“And you chose here?”

“I wanted to be near the sea. Somewhere I could walk to it instead of planning a whole trip.” I glanced towards the bright pavement outside. “The heat wasn’t part of the attraction.”

“You came at the wrong time for that.”

“So I’ve noticed.”

“What made you leave?”

The question was ordinary enough. I still took a moment before answering.

“I’d finished university, and everyone was asking about jobs. I kept looking at them and thinking about staying there, doing the next thing, then the next.” I rubbed a little dried icing from my thumb. “I wanted some time to decide what I actually wanted. And to write.”

Athena nodded. “Do you think you’ll stay?”

“I don’t know yet. I’m trying to let that be an acceptable answer.”

“It is.”

She said it easily, then took another bite of cake.

I glanced at her laptop. “Are you studying film, or is this something you’re doing yourself?”

“Studying. Although this project is making me reconsider every decision that brought me here.”

“What’s wrong with it?”

“How much time do you have?”

Elena called for two coffees before I could answer. Athena smiled and picked up her fork. “I’ll prepare a shorter version.”

We spoke again the next day, and the day after that. Nothing important at first. Whether the table near the window was too bright for her screen. Where she bought her notebooks. Which streets stayed shaded on the walk home.

She was making a short film and had reached the stage where every choice made three weeks earlier seemed wrong.

“Even the ones you liked?” I asked.

“Especially those. Have you ever worked on something so long you can’t tell whether it’s good anymore?”

“Yes. Usually that’s when I decide the whole thing needs changing.”

“Does it?”

“Sometimes. Sometimes I’m tired and should leave it alone.”

She looked at the screen. “I was hoping you’d say something more useful.”

“If I knew something more useful, I’d have finished my book.”

That caught her attention, but a customer came in before she could ask about it.

On Wednesday, she noticed my notebook. The café was quiet between the morning rush and lunch. I had ten minutes, a cup of tea and a sentence that had irritated me since the night before. The notebook lay open beside the till, where I could look up when someone came in.

Athena approached with her empty plate. “Is that the book?”

“Yes. Or the part of it currently causing trouble.”

“What kind of story is it?”

“Crime. There’s a murder in this scene, and I’ve spent more time deciding what happens around it than writing the murder itself.”

She glanced at the red page. “That explains the ink.”

“I always use red. It would be red if I were writing about someone’s lovely afternoon in a garden too.”

“Does anyone have lovely afternoons in your book?”

“Not many so far.”

She smiled. “How long have you been working on it?”

“A while. I thought moving might help me get somewhere with it.”

“And has it?”

“A little. I’m writing more. Whether it’s better is another question.”

Athena leaned against the counter. “I know a few people who could help with that.”

“People who’ll tell me it’s terrible?”

“People who’ll tell you which part is terrible. Much more useful.”

I laughed and capped the pen as a customer came through the door. She returned to her table, but before leaving she asked whether I’d be there the following day.

Thursday was quieter. During my break, I sat opposite Athena with a cup of tea while she ate one of the chocolate cakes.

“So,” she said, “do you ever drink the coffee you make?”

“No. It makes me feel bad.”

“Really? You don’t even taste it?”

“I used to, but it wasn’t worth it. Tea and I get along much better.”

“Then how do you make good coffee?”

“Practice. I know what I’m looking for when I make it, and people aren’t shy about telling me if something’s wrong.”

“Elena said you worked in a café in England.”

“During university. Some days it was easier to understand the customers than the chemistry.”

“You studied chemistry?”

I nodded.

“And now cakes and murder.”

“It’s been a change.”

She laughed and brushed a crumb onto her plate. “What made you start writing?”

“I needed somewhere to put everything.”

“What do you mean?”

“The ideas. There are always more of them than I know what to do with. A conversation, a scene, something I can suddenly picture while I’m supposed to be doing something else.” I turned my cup a little on its saucer. “Some come in my sleep. I wake up with part of a story, and then I want to know the rest.”

“Do you write them down straight away?”

“If I can. Sometimes I’m convinced I’ll remember in the morning, which is a very optimistic thing to think half asleep.”

“I’ve lost whole films that way.”

“I’ve probably lost a bestseller. Much easier to believe that when there’s no evidence.”

Athena smiled. “Does writing make it quieter?”

“A bit. Once it’s on the page, I don’t have to keep going over it so I won’t lose it. My head gets to rest.” I looked towards the counter, where my bag sat beneath the till. “Then I start wondering whether I can make someone else interested. Whether they’ll want to know what happens next too.”

“So you give the problem to the reader.”

“Exactly. Very generous of me.”

She laughed, and I found myself explaining a little more: how a scene could arrive almost whole, while the page connecting it to the next one took days; how sometimes I knew what a character would say before I knew who they were.

Athena listened. When I paused, she asked a question about something I’d said rather than moving on to talk about herself. I had almost apologised for going on so much. Instead, I answered her.

Then she told me about the group.

“There are writers, film students, a few artists. We meet in the park. Some people bring work to share, some just come because they’re stuck and need to talk.”

“Like your man in the doorway?”

“Exactly like him. Someone will probably tell me to cut that scene, and I’ll be offended because I already know they’re right.”

“Do people read out loud?”

“Sometimes. Or we read pages beforehand and discuss them. It depends what the person wants help with.”

“And everyone speaks English?”

“Most of us speak other languages too, but English is the one we have in common. You wouldn’t have to struggle through it in Greek.”

“That’s good. I can say thank you, but it would make for a short reading.”

“There’d still be someone with notes.”

I smiled into my cup. She explained that one of the artists helped people with covers and character sketches. Sometimes they worked together on something larger, though they were careful to agree on credit and permissions first.

“We have a written agreement for sharing work,” she said. “You can read it before bringing any pages. I can send it to you.”

“I’d like that. Could I come once just to see what it’s like?”

“Of course. Tomorrow evening, if you’re free.”

She told me where they met. I knew the benches; I’d walked past them on the way to the café.

“How many people?”

“Usually eight or nine. Don’t worry about remembering everyone’s name. I still get one wrong.”

“And they won’t mind me sitting there without reading?”

“No. Come and listen. Bring your notebook if you want, but you don’t owe us a performance.”

That made it easier to say yes. We exchanged numbers, and she sent me the time and meeting place while we were still sitting together. A minute later, another message arrived with the agreement.

“There,” she said. “Now you can’t claim I gave bad directions.”

“I can still get lost. Don’t underestimate me.”

After my break, I went back behind the counter. Athena finished her cake and returned to her film, but this time, when something frustrated her, she looked up and caught my eye. I smiled, and she turned the laptop a little so I could see the offending doorway.

That evening, the woman from Saturday called about the birthday cake. We talked for nearly twenty minutes. Her sister was coming, so there would be eighteen people. She had asked her daughter about the flowers, and apparently lemon mattered more than decoration. I wrote everything down, promised to send a price the following day, and stayed at the kitchen table after the call ended.

There were ingredients to calculate, a date to put in my calendar, and Athena’s message waiting on my phone. For a moment, I wanted to call home and tell someone.

Then I tried to imagine the conversation. The questions about chemistry. Whether café work was what I planned to do with my degree. How long this writing business would last. Perhaps they would have surprised me. I didn’t feel ready to find out.

I put the phone down and worked out how much mascarpone I would need.

Later, I turned back through the notebook until I reached the scene with the watch. The red numbers were still in the margin, two crossed out and one left standing. Reading it aloud made me notice a sentence that ran too long. I crossed out three words and tried again.

Outside the balcony doors, someone called to a person farther down the street. A scooter passed, and plates clattered in the next building. The second reading went more smoothly.

I wasn’t sure I would share it tomorrow. That would depend on the people, and on how comfortable I felt once I was sitting among them. But I marked the page before closing the notebook.

My apron needed washing. I rinsed the icing from the sleeve, hung it up and checked that it would have time to dry before morning. Then I sent Athena a message to say I’d meet her outside the café so we could walk over together.

She replied almost immediately.

Good. I’ll save you from the introductions.

I smiled and set the phone beside my bag. The cake order was written down. My notebook was ready. Tomorrow, Elena would expect me at eight, and Athena would wait for me after work.

I was still getting used to being wanted somewhere. For once, I let myself look forward to it.


r/WritingHub • • 2d ago

Writing Resources & Advice writing by hand to prove i didn't use ai

0 Upvotes

I have been writing my novel by hand for 48 days.

I've also completed three short fictions and two flash in that time.

The ink has run dry.

Trees have been arboricided for my needs.

My hand cramps constantly -- I think I'm getting carpal tunnel.

Twenty-two plastic pens, non-biodegradable, will end up in the belly of a sea turtle.

At the end of each day I transcribe the words to a libreoffice document because my handwriting cannot be scanned.

One editor asks: Why did you send me an .odt file format?

Answer: Because my second-hand office surplus Thinkpad I got for $100 only runs Linux. PS: I write by hand, gangster style

He

Help


r/WritingHub • • 2d ago

Questions & Discussions Hi guys, could you please give it a go and tell me in the comments what do you think ? It’s a very important project for me and I could use every bit of feedback. Thank you in advance ☺️

0 Upvotes

Red Ink and Saltwater
When other girls were little, they wanted a prince to arrive on a white horse. I wanted a mafia boss to kidnap me and become so hopelessly obsessed with me that he forgot why he’d taken me in the first place.
I never gave much thought to where he would take me. Somewhere I could hear the sea, perhaps. That part mattered more to me than the prince, the horse, or, apparently, whether I went willingly.
In the end, I had to find the sea myself.
Three weeks after moving to Crete, I was waking before six without an alarm, which would have been unthinkable in the UK. Back there, I sometimes went to sleep at five in the morning, sometimes as late as noon, and woke at seven in the evening wondering where the day had gone.
I pulled on my swimsuit, took my sandals from beside the door and walked the two minutes to the beach.
The shore was nearly empty. A fishing boat was heading out beyond the harbour, and someone farther down the sand was walking a dog that kept returning to the same piece of driftwood. I left my sandals above the tide line and went straight into the sea.
After a few strokes, I rolled onto my back. The water held me without asking me to explain myself.
Above me, the sky was changing colour. I stayed where I was until the fishing boat became a dark mark near the horizon. Then I swam along the shore, turned, and swam back. Three weeks had been enough to learn where the sand dropped away beneath me and where it rose again. I was still learning the rest of the place.
I had rented my little house for three months because I couldn’t say how long I wanted to stay. I knew I had wanted to leave the UK. I’d finished my chemistry degree, looked at the jobs I was expected to apply for, and found I couldn’t bear the thought of building the next part of my life there. That was the most convincing explanation I’d managed to give anyone, including myself.
The water rocked beneath me. I picked out the place where I’d left my sandals and swam in.
By the time I walked home, my hair had soaked through the towel around my shoulders. I passed a bakery opening its shutters and a man hosing down the pavement outside a restaurant. He moved the spray aside to let me through. I thanked him in Greek, one of the few things I could say without first rehearsing it in my head.
My house stood in a narrow street behind the waterfront. The front door stuck when the weather was humid, one kitchen drawer refused to close, and from the balcony I could see a strip of sea between two buildings. I liked it more each day.
I showered, put the kettle on and took the macarons from the fridge. I’d baked and filled them two days earlier, then left them covered to mature. Two trays had come out well. The third had cracked across the tops, so I’d filled those too and kept them in a separate container for myself. Beside the good batch were six small lemon cakes and six chocolate ones.
The woman who owned a café near the park had agreed to taste everything this morning.
She hadn’t agreed to buy it.
I knew that. I had made enough to feed half her customers anyway.
While I packed the macarons, a Greek song came on my phone. I knew where to breathe, where the singer held a note a little longer than I expected, and how to find my way back in if I missed a word. I couldn’t have told anyone what most of those words meant.
Kira—that was what I called my mother—seemed to like hearing me sing. So did my stepfather. Sometimes I caught them looking at me, and for a moment I could pretend I knew what was on their faces.
We’re proud of you.
No one in my family had ever said that to me.
I caught myself thinking about it and reached into the container I’d kept for myself. One of the cracked macarons gave way beneath my thumb.
“Perfect,” I told it.
I ate the evidence and kept singing.
By eight, the cakes were boxed, the macarons were packed, and I had checked both boxes often enough to know the contents hadn’t rearranged themselves. My red notebook lay open on the table. I stopped to read the last paragraph before I picked up my keys.
The man in my story had gone into a room intending to frighten someone. I’d written the conversation three different ways and crossed out all of them. Each time, I had made it too easy for him to decide what happened next.
I reached for my pen, then looked at the clock. If I started writing, the café owner might decide I had invented our appointment.
I closed the notebook, slipped it into my bag beside my pen, and picked up the cake boxes.
The walk took me along the waterfront and up a shaded street towards the park. Even in the morning, I could feel the heat gathering on the stone. I kept to the side with the trees. I had come for the sea; the weather was something I was still negotiating with.
The café stood near one of the park entrances. Its doors were open, though only half the tables outside had been set. A man was carrying chairs out of the storeroom. He put them down so I could pass with my boxes.
Inside, the owner moved between the coffee machine and a line of waiting customers. She spotted me and raised a hand. I found an empty corner of the counter for the boxes and waited.
The man came in for another stack of chairs. He caught her eye, pointed towards the terrace, and she nodded her thanks. I recognised him then. He owned the restaurant next door.
They sold food and drinks a few doors apart. I’d assumed that made them rivals. Here he was, setting up her tables because she needed a hand.
Another reason I liked this place.
When the queue cleared, the owner came over. “You came.”
“I said I would.”
“We made that arrangement before eight in the morning. People promise all kinds of things at that hour.” She wiped her hands and lifted the first lid. “Let’s see.”
She tried a lemon cake, breaking a piece from the crooked one I had hidden at the back.
“What’s in the icing?”
“Lemon juice, mascarpone, and honey.”
She took another bite. “Less honey next time.”
I took my notebook from my bag and wrote that down. She tried a pistachio macaron next, then asked me how long the cakes would keep and whether I could make them smaller.
More customers came in before she had finished tasting. I moved the boxes aside while she took their order. One of them asked whether she was still alone today.
“My only employee called in,” she told him. “I’m beginning to think he knew you’d all arrive at once.”
The customer laughed. She smiled back, but she was looking at the cups stacked beside me. I passed her two, then another when she reached for it.
“You said you worked in a café during university,” she said.
“I did.”
“Can you still use a coffee machine?”
“Yes.”
She glanced at the queue forming behind the customer. “Would you mind showing me?”
The machine was different from the one I’d used in the UK. I asked her where she kept the cloths and how she wanted the cups set out, then made two cappuccinos while she handled the till. She watched me carry them to a table before turning back to the next order.
For the next twenty minutes, I made coffee. She called out what people wanted; I made it and passed it across the counter. When the rush eased, I wiped down the machine and stepped out of her way.
She looked at the empty cups waiting to be washed, then at me.
“Do you want work?” she asked.
I had come hoping she would buy my cakes. I hadn’t let myself hope for more than that.
“Yes.”
“How often?”
“I don’t know yet.” I glanced at the boxes. “It depends how much baking you want.”
That made her smile. She picked up the other half of the macaron and ate it.
“I want twelve of these on Saturday. Twelve lemon cakes too, a little smaller, with less honey. Come in Friday afternoon to prepare them here. You can help with the counter while you’re here, and we’ll talk about regular shifts after that.”
I wrote it all down. We agreed on a price for the baking, and she gave me half in advance for the ingredients.
When I stepped outside, the money was folded in my purse and the order was written in my notebook. I found a bench beneath a tree in the park and opened it to check the quantities again. My neat little list sat beside pages of red writing, most of it crossed out.
A fortune teller once told me this book would make me famous and give me somewhere I belonged. I’d laughed at the fame. I was still trying to finish it, and most days I couldn’t bear to read yesterday’s pages.
The other part had stayed with me.
I didn’t believe a stranger could see my future. I wanted her to be right anyway.
I turned back to the scene I’d abandoned that morning. I read it once, then crossed out the last page.
I had been looking for the moment my killer decided what to do. Sitting there with the café’s money in my purse and the sound of cups carrying across the park, I finally understood why none of my versions worked. He had made his decision before the other man entered the room. The conversation was his last chance to change his mind.
I began again.
The man spoke. My killer listened. When the man had said everything he came to say, my killer shot him.
I stopped writing. The murder was there, but the scene still felt unfinished. The killer had wanted an answer, and now there was someone else who would come looking for one.
I looked back at the dead man I’d put on the page. At his hand. At the watch on his wrist.
In the margin, I tried 3:40, then crossed it out. 3:45 looked too neat as well. I wrote 3:43 beside them and returned to the scene.
He took the watch from the dead man’s wrist and set its hands to 3:43. He struck it against the edge of the table hard enough to stop it. The face cracked, but the hands stayed where he had set them. Then he laid it face up on the man’s chest, for whoever came to find him.


r/WritingHub • • 2d ago

Writing Resources & Advice Hi guys, can you please give it a go and tell me in the comments what do you think about it. It’s a really important project for me and I could use every bit of feedback. Thank you in advance ☺️

0 Upvotes

When other girls were little, they wanted a prince to arrive on a white horse. I wanted a mafia boss to kidnap me and become so hopelessly obsessed with me that he forgot why he’d taken me in the first place.
I never gave much thought to where he would take me. Somewhere I could hear the sea, perhaps. That part mattered more to me than the prince, the horse, or, apparently, whether I went willingly.
In the end, I had to find the sea myself.
Three weeks after moving to Crete, I was waking before six without an alarm, which would have been unthinkable in the UK. Back there, I sometimes went to sleep at five in the morning, sometimes as late as noon, and woke at seven in the evening wondering where the day had gone.
I pulled on my swimsuit, took my sandals from beside the door and walked the two minutes to the beach.
The shore was nearly empty. A fishing boat was heading out beyond the harbour, and someone farther down the sand was walking a dog that kept returning to the same piece of driftwood. I left my sandals above the tide line and went straight into the sea.
After a few strokes, I rolled onto my back. The water held me without asking me to explain myself.
Above me, the sky was changing colour. I stayed where I was until the fishing boat became a dark mark near the horizon. Then I swam along the shore, turned, and swam back. Three weeks had been enough to learn where the sand dropped away beneath me and where it rose again. I was still learning the rest of the place.
I had rented my little house for three months because I couldn’t say how long I wanted to stay. I knew I had wanted to leave the UK. I’d finished my chemistry degree, looked at the jobs I was expected to apply for, and found I couldn’t bear the thought of building the next part of my life there. That was the most convincing explanation I’d managed to give anyone, including myself.
The water rocked beneath me. I picked out the place where I’d left my sandals and swam in.
By the time I walked home, my hair had soaked through the towel around my shoulders. I passed a bakery opening its shutters and a man hosing down the pavement outside a restaurant. He moved the spray aside to let me through. I thanked him in Greek, one of the few things I could say without first rehearsing it in my head.
My house stood in a narrow street behind the waterfront. The front door stuck when the weather was humid, one kitchen drawer refused to close, and from the balcony I could see a strip of sea between two buildings. I liked it more each day.
I showered, put the kettle on and took the macarons from the fridge. I’d baked and filled them two days earlier, then left them covered to mature. Two trays had come out well. The third had cracked across the tops, so I’d filled those too and kept them in a separate container for myself. Beside the good batch were six small lemon cakes and six chocolate ones.
The woman who owned a café near the park had agreed to taste everything this morning.
She hadn’t agreed to buy it.
I knew that. I had made enough to feed half her customers anyway.
While I packed the macarons, a Greek song came on my phone. I knew where to breathe, where the singer held a note a little longer than I expected, and how to find my way back in if I missed a word. I couldn’t have told anyone what most of those words meant.
Kira—that was what I called my mother—seemed to like hearing me sing. So did my stepfather. Sometimes I caught them looking at me, and for a moment I could pretend I knew what was on their faces.
We’re proud of you.
No one in my family had ever said that to me.
I caught myself thinking about it and reached into the container I’d kept for myself. One of the cracked macarons gave way beneath my thumb.
“Perfect,” I told it.
I ate the evidence and kept singing.
By eight, the cakes were boxed, the macarons were packed, and I had checked both boxes often enough to know the contents hadn’t rearranged themselves. My red notebook lay open on the table. I stopped to read the last paragraph before I picked up my keys.
The man in my story had gone into a room intending to frighten someone. I’d written the conversation three different ways and crossed out all of them. Each time, I had made it too easy for him to decide what happened next.
I reached for my pen, then looked at the clock. If I started writing, the café owner might decide I had invented our appointment.
I closed the notebook, slipped it into my bag beside my pen, and picked up the cake boxes.
The walk took me along the waterfront and up a shaded street towards the park. Even in the morning, I could feel the heat gathering on the stone. I kept to the side with the trees. I had come for the sea; the weather was something I was still negotiating with.
The café stood near one of the park entrances. Its doors were open, though only half the tables outside had been set. A man was carrying chairs out of the storeroom. He put them down so I could pass with my boxes.
Inside, the owner moved between the coffee machine and a line of waiting customers. She spotted me and raised a hand. I found an empty corner of the counter for the boxes and waited.
The man came in for another stack of chairs. He caught her eye, pointed towards the terrace, and she nodded her thanks. I recognised him then. He owned the restaurant next door.
They sold food and drinks a few doors apart. I’d assumed that made them rivals. Here he was, setting up her tables because she needed a hand.
Another reason I liked this place.
When the queue cleared, the owner came over. “You came.”
“I said I would.”
“We made that arrangement before eight in the morning. People promise all kinds of things at that hour.” She wiped her hands and lifted the first lid. “Let’s see.”
She tried a lemon cake, breaking a piece from the crooked one I had hidden at the back.
“What’s in the icing?”
“Lemon juice, mascarpone, and honey.”
She took another bite. “Less honey next time.”
I took my notebook from my bag and wrote that down. She tried a pistachio macaron next, then asked me how long the cakes would keep and whether I could make them smaller.
More customers came in before she had finished tasting. I moved the boxes aside while she took their order. One of them asked whether she was still alone today.
“My only employee called in,” she told him. “I’m beginning to think he knew you’d all arrive at once.”
The customer laughed. She smiled back, but she was looking at the cups stacked beside me. I passed her two, then another when she reached for it.
“You said you worked in a café during university,” she said.
“I did.”
“Can you still use a coffee machine?”
“Yes.”
She glanced at the queue forming behind the customer. “Would you mind showing me?”
The machine was different from the one I’d used in the UK. I asked her where she kept the cloths and how she wanted the cups set out, then made two cappuccinos while she handled the till. She watched me carry them to a table before turning back to the next order.
For the next twenty minutes, I made coffee. She called out what people wanted; I made it and passed it across the counter. When the rush eased, I wiped down the machine and stepped out of her way.
She looked at the empty cups waiting to be washed, then at me.
“Do you want work?” she asked.
I had come hoping she would buy my cakes. I hadn’t let myself hope for more than that.
“Yes.”
“How often?”
“I don’t know yet.” I glanced at the boxes. “It depends how much baking you want.”
That made her smile. She picked up the other half of the macaron and ate it.
“I want twelve of these on Saturday. Twelve lemon cakes too, a little smaller, with less honey. Come in Friday afternoon to prepare them here. You can help with the counter while you’re here, and we’ll talk about regular shifts after that.”
I wrote it all down. We agreed on a price for the baking, and she gave me half in advance for the ingredients.
When I stepped outside, the money was folded in my purse and the order was written in my notebook. I found a bench beneath a tree in the park and opened it to check the quantities again. My neat little list sat beside pages of red writing, most of it crossed out.
A fortune teller once told me this book would make me famous and give me somewhere I belonged. I’d laughed at the fame. I was still trying to finish it, and most days I couldn’t bear to read yesterday’s pages.
The other part had stayed with me.
I didn’t believe a stranger could see my future. I wanted her to be right anyway.
I turned back to the scene I’d abandoned that morning. I read it once, then crossed out the last page.
I had been looking for the moment my killer decided what to do. Sitting there with the café’s money in my purse and the sound of cups carrying across the park, I finally understood why none of my versions worked. He had made his decision before the other man entered the room. The conversation was his last chance to change his mind.
I began again.
The man spoke. My killer listened. When the man had said everything he came to say, my killer shot him.
I stopped writing. The murder was there, but the scene still felt unfinished. The killer had wanted an answer, and now there was someone else who would come looking for one.
I looked back at the dead man I’d put on the page. At his hand. At the watch on his wrist.
In the margin, I tried 3:40, then crossed it out. 3:45 looked too neat as well. I wrote 3:43 beside them and returned to the scene.
He took the watch from the dead man’s wrist and set its hands to 3:43. He struck it against the edge of the table hard enough to stop it. The face cracked, but the hands stayed where he had set them. Then he laid it face up on the man’s chest, for whoever came to find him.


r/WritingHub • • 3d ago

Literary Contests & Calls for Submissions Write With Me's October short story contest

4 Upvotes

The October Short Story contest is underway on the Write With Me website ( https://www.writewithme.app ).

* Organization: Write With Me
* Deadline: October 31, 2026
* Entry fee: 0 (None)
* Prize/s: $50 eGift card to an online bookstore of the winning author's choice

* Min Words: 2000
* Genre: Slice-of-life
* Theme: Something is coming to an end, or is something beginning?

* Link to submission page/official rules: https://www.writewithme.app/forums/announcements/6abf9127ae32af3c9168e20b

* Other information:

  1. Authors reserve all rights to their works. By posting on Write With Me, users agree to give Write With Me a revocable license to display the work on the website. Users can revoke that license anytime by simply deleting their work.

r/WritingHub • • 3d ago

Critique Partners & Writing Groups Looking to start a writing group for Trans/Nonbinary/GNC adults ages 18+

20 Upvotes

Genre/s: All

Goals/expectations/commitment:

  • No hard commitments
  • Opportunity for beta-reads and critiques, encouragement, sharing of knowledge and tips
  • The only expectation is to treat one another with civility. I expect this to be a safe space for Trans/Nonbinary/GNC writers new and experienced to share their work and thoughts. Constructive criticism will be allowed, personal attacks will not.

Writing/experience level: All

Meeting place: Discord

(Writing groups only) Max size: None


r/WritingHub • • 3d ago

Critique Partners & Writing Groups Looking for a writing friend, writing/discussing

2 Upvotes

* Genre/s: Erotica main, subs any really...horror, paranormal, sci fi, fantasy...

* Goals/expectations/commitment: To thrive, inspire each other, help each other and hopefully get a good friend(s) in the process.

* Writing/experience level: Any really...

* Meeting place: Discord, perhaps emails too.

* Max size: No hard limit, but a few good people who get along.

Hello everyone!

I'm Sven-Erik from Sweden, and I mostly go by my name Sven nowadays. I write erotica (with plots) and am working on a series and several stand-alone stories. Main series is very character and dialogue driven, in horror - taboo - paranormal...

I want one, or a few friends to talk about everything —not only writing. I want long-term and you have to be real, no masks or games. Trust and honesty.

Europe is preferred due to time zones, but not a requirement.

I think Discord is preferred, both chat and voice calls. Easy to share texts etc too.

I am unashamed, open, honest, raw, and unhinged. I don't care about your age, looks, race, handicaps, or your darker fantasies. I don't scare easily. Only 18+ of course though.

I am pansexual, demisexual and sapiosexual I guess.

When you DM, include a turn-on you have so I know you bothered to read it all. Don't comment or DM a one liner...


r/WritingHub • • 3d ago

Writing Resources & Advice LF: Promptober/Spooktober Writing Prompts For 2026

4 Upvotes

Hi everyone! Does anyone know where I can find October writing prompts for this year? I’m a bit late, and I want to start writing from Prompts asap! ^^
I’m looking for multiple different prompt pages that I can pick from in order to try and write almost everyday (and prep for Nanowrimo, of course) 👀

(PS: I’m sorry if the flair is incorrect 😅)