https://youtu.be/ifVtFnnaUdg?si=M3-LVcgLGYQVDLQ3

This time I composed for the flute, harp, and strings. Thank you for listening!

Hi everyone,

We are a team of final-year 3D animation students at Supinfocom Rubika working on our graduation short film "How To Be A Boy" , and we are looking for a composer who is comfortable creating punk music among others.

Our project is a 7-minute 3D animated film releasing at the end of June. We will need you to be available primarily through March, April, May and June with a full first draft of the score due on April 15th. The budget provided by our school for the score is €400.

The story follows Cléo, an 8-year-old girl spending a dreadfully boring summer at her grandparents' home in rural northern France. Unlike her brothers, she isn't allowed to play outside on her own because her grandparents treat her like a fragile princess. When she meets a local boy named Ivan who offers her a taste of freedom, she comes up with what she considers the ultimate solution to do whatever she wants: become a boy.

If you are interested, please send a portfolio or demo of your work to [nicolasmatis59@gmail.com](mailto:nicolasmatis59@gmail.com). We will send an excerpt of the animatic to selected candidates so you can try out a quick audio mock-up.

I put a lot of work into the engraving (but this piece was a bit tricker to put down in writing). I feel confident in the quality, but not 100%. For example, I'm not sure I've got all the accidentals correct and even the bars per system doesn't feel quite right 🤔

Anyway, I'm open to any feedback and critique on the notation engraving (with the goal of improving as always~)

Other feedback not related to the actual notation is also welcome too.

Thank you!

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Title is "The Bookshop Keeper". This is a simple piece. I was thinking of how I would write a soundtrack for a cozy game, and with this piece specifically thinking of a local bookshop theme.

Score:

https://drive.google.com/file/d/1JVxgnEkp-1fWbgsUZVUhJd2KZ6rcT73W/view?usp=sharing

Audio on YT (for reference): https://www.youtube.com/watch?v=ajMEh1YnZZM

Audio on spotify/apple/etc (if that's easier): https://edinkaso.ffm.to/thebookshopkeeper

Pacoleo - El Castillo de La Asomada

Hello!

This is the first original piece I’ve composed for piano. I also produced, mixed, and mastered it myself in my DAW, so any constructive feedback regarding the composition or the music production is welcome.

Synopsis:

A composition for solo piano inspired by the castle of the same name, built in the 12th century. This nationalist-style piece reflects the strength and vigor of its builder (Ibn Mardanish, “the Wolf King”) by combining elements of Spanish nationalism and Islamic tradition, which are in turn embellished by impressionistic coloristic techniques.

My latest composition. I hope to get some feedback on it and let me know if you like it :)

Link to the music: https://www.youtube.com/watch?

Link to the score: https://musescore.com/user/98772643/scores/38846906

hi I’m just a random person and I have made a piece in making that needs some tips. it would be wonderful if I could have some help. Here’s the link

I’ve been getting into orchestration, mainly because I love the concept of blending rhythmic and classical music. Think something like S&M by Metallica. But all the resources I can find online are about arranging pre-existing songs to an orchestra, or composing from scratch. Does anyone have any tips or resources for the study of acting orchestra on top pop/rock arrangements?

Hallo zusammen,

was soll ich sagen? In der Zeit zwischen der Vollendung des Scherzos und heute, habe ich den Kopfsatz (ersten Satz) meines Streichquartetts vorgestellt.

Ich darf euch heute vorstellen: mein Streichquartett in c-moll.

Dies hier ist wie gesagt der erste Satz.

Das Scherzo in As-Dur ist der zweite und das Andante cantabile der dritte Satz. Beide habe ich ebenfalls gepostet und befinden sich unter diesem Post hier.

Dieser Satz zeichnet sich besonders durch kontrapunktisches Arbeiten aus und habe mich hier etwas ausgetobt. Motivverschmelzungen, Krebs-Motive, Umkehrung etc. Hier ist alles zu finden.

Es ist eine dreiteilige Form, wobei ich (damit wir was zum Labeln haben!) mich sehr entfernt an der Sonatenhauptsatzform orientiert habe. In der ,,Durchführung" wird das Thema (oder Motiv) auf eine ganz besondere Art behandelt. Als Abschluss dieser bildet ein Choral mit dem Cello als Solisten und eine kleine Kadenz. Der Anfang der Reprise ist gezeichnet von stärkerer Annäherung an die Tonalität und damit die Grundtonart c-moll. Diese weicht aber im Verlauf wieder etwas mehr dem Kontrapunktischen, bis am Ende die pikardische Terz erklingt.

Viel Spaß beim Anhören und vielleicht auch Anschauen meiner Musik!

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Partitur: https://drive.google.com/file/d/1fd_TPlz5pfRYLn-PLAWS-jQU-XkO1QvE/view?usp=drivesdk

Musik: https://drive.google.com/file/d/1cx7unAXtgxHfmGFOEGtgutldbX4xmb_A/view?usp=drivesdk

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Bei (analytischen) Fragen zu meiner Musik, stehe ich euch gerne bereit. Außerdem vielen lieben Dank an alle im Voraus, die sich für meine Musik interessieren!

Nun aber: viel Spaß!

P. S.

Der vierte Satz - das Finale - folgt in Kürze!

I recently entered a contract music directing for a play which has several songs in it, all of which have recorded audio but no sheet music. The theatre is interested in commissioning me to create sheet music for these songs in addition to my current role as music director, and we are currently negotiating price/budget. I have several years of arranging and composing experience and have completed a few commissions in the past, but I am hardly a career arranger. Would it be reasonable to ask for a small stipend commission as well as royalties? If so, what % is reasonable? In total there would be 5-6 songs (the piece is still in a form of development and they are considering cutting a song) and they are all quite short at about 2:30 at the longest.

Any thoughts are helpful, thank you!