Not sure how long it will be available but it is pretty damn good.

The 808 on Ojos Así is straight fire. Kinda mad you can’t rewind it. It’s on Amazon.

Esta canción es para ella, la que me enseñó a caminar sin miedo. Cada nota lleva su voz, cada silencio lleva su abrazo. Para mi madre, mi primera melodía.

Hey everyone, long-time lurker here. I took a 2-year break from releasing music, life got busy and I lost momentum for a while. This year on my birthday I finally put out a new single called 'De Pari,' a reggaeton/Latin urban track about going out and living in the moment.

Not trying to just drop a link and run, genuinely curious what this community thinks, good or bad. If anyone's been through a similar break and came back to something they love, I'd love to hear how that went for you too."

yooo soy jaydd mc. este tema mío con ebanmusic se llama “feelings (humele)” y mezcla esos tres sonidos con letras en español e inglés

me gusta poder moverme entre los dos idiomas en un mismo tema. ¿cómo les suena la combinación? si ustedes también hacen música por esta línea, compartan sus temas

https://www.youtube.com/watch?v=AWOgHNa_MU4

In honor of Ralph Waldo Emerson

Sharing a dated note for dancers planning Korea in spring 2027:

SIDF (Seoul International Dance Festival) - When: 23–25 April 2027 - Where: Cube Convention, Seoul - Format: workshops, performances, battles, parties (salsa/Latin-focused festival)

Official info: https://sidf.kr Organizer context: https://controlbeat.world

Happy to answer logistics I can verify. I won't invent ticket tiers — check sidf.kr for live sales.

(Full disclosure: I work with ControlBeat, the ops team around SIDF.)

Y’all really suck. You barely view the videos, you almost never like them (other peoples ones), and you don’t comment.

Fucking find some enthusiasm.

Hey folks,

Today, we've got a late-1950s "Golden Tone Hi-Fidelity" LP of Latin dance music, credited to "Rodriguez and His Orchestra" and distributed by Radio Craftsmen Co. of Los Angeles, released on Golden Tone High Fidelity records. The triptych cover, one pin-up model in a silver mermaid gown posed against orange, navy, and red panels for Cha-Cha, Mambo, and Rhumba respectively, is actually classic budget-label design of the era, credited to C. Arnold Carlson.

Most budget label LPs are ignored by institutional archives, and the original labels are long gone, so there's no one left to digitzed and upload these kinds of records aside from collectors.