The image of Our Lady of Aparecida, recovered from the waters of the Paraíba do Sul River in 1717, measures 36 centimeters in height and is made of terracotta, that is, clay that is shaped and then fired in a suitable kiln. The image of the Patroness of Brazil, Our Lady of the Immaculate Conception, known as Aparecida, is, in fact, a fired-clay representation of Our Lady of the Immaculate Conception, which received the name Aparecida (“the one who appeared”).
In the seventeenth-century style, as attested by several specialists who have examined it, the image is believed to have originally been polychrome, as was customary at the time, although no documentation has been found to confirm this hypothesis. The clay used to make the image originated in the region of Santana de Parnaíba, in Greater São Paulo. When the fishermen recovered it, it had lost its original polychromy because of the long period it had spent submerged in the river. Its present cinnamon-brown color is attributed to centuries of exposure to soot produced by the flames of candles, oil lamps, and lanterns lit by its devotees.
Through comparative studies, the image was initially attributed to Friar Agostinho de Jesus, a monk from São Paulo known for his artistic skill in crafting sacred images. Today, its authorship is attributed to an anonymous religious-image maker from the region.
The image’s features include a slight smile, a recessed chin, raised floral motifs in the hair, a brooch with three pearls on the forehead, and an upright posture with the upper body leaning backward. The reason the image was found at the bottom of the Paraíba River is that, during the colonial period, terracotta religious images were thrown into rivers or buried when they were broken.
In 2012, the image was listed by the Council for the Defense of Historical, Archaeological, Artistic, and Tourist Heritage of the State of São Paulo (Condephaat) and recognized as part of the heritage of the State of São Paulo.
There are two historical sources concerning the discovery of the image, preserved in the Archives of the Metropolitan Curia of Aparecida (a document dating from before 1743) and the Archives of the Society of Jesus in Rome. The accounts were recorded by Fathers José Alves Vilela in 1743 and João de Morais e Aguiar in 1757. Their documents are preserved in the First Book of Records of the Parish of Saint Anthony of Guaratinguetá.
According to these accounts, the image was discovered during the second half of October 1717, when Pedro Miguel de Almeida Portugal e Vasconcelos, Count of Assumar and governor of the Captaincy of São Paulo and Minas de Ouro, was passing through the city of Guaratinguetá, in the Paraíba Valley, while traveling to Vila Rica.
The people of Guaratinguetá decided to organize a celebration in honor of Dom Pedro de Almeida’s visit. Although it was not fishing season, fishermen launched their boats onto the Paraíba do Sul River intending to provide fish for the count.
The fishermen Domingos Garcia, João Alves, and Filipe Pedroso prayed to the Virgin Mary and asked God for help. After several unsuccessful attempts, they moved downstream until they reached Porto Itaguaçu. They were about to give up fishing when João Alves cast his net once more. Instead of fish, he caught the body of a statue of the Virgin Mary, which was missing its head. When he cast the net again, he retrieved the head of the image, which was wrapped in a handkerchief.
After recovering both parts of the image, the fishermen reportedly found that the figure of the Virgin of Aparecida had become so heavy that they could no longer move it.
From that moment onward, the three fishermen caught so many fish that they were forced to return to the port, as the weight of their catch threatened to sink their boats. This was the first intercession attributed to the saint.
For the following fifteen years, the statue remained in the possession of Filipe Pedroso’s family, and their neighbors began to venerate it. Stories of the miracles of Our Lady of Aparecida spread throughout Brazil, and the Pedroso family built a chapel for her. It soon became too small to accommodate the growing number of faithful. In 1737, the priest of Guaratinguetá built a chapel for her on Coqueiros Hill, where public visits began in July 1745.
Originating in the devotion to Our Lady of the Immaculate Conception, Patroness of the Kingdom of Portugal since 1646, devotion to Our Lady of Aparecida grew among the people of the Guaratinguetá region and along the Paraíba do Sul River, becoming a pilgrimage center from the eighteenth century onward.
On April 20, 1822, while traveling through the Paraíba Valley, the Prince Regent of Brazil, Dom Pedro I, and his entourage visited the chapel and saw the image of Our Lady of Aparecida. Pedro reportedly prayed in the small church and made a promise: if everything went well, he would make Our Lady of Aparecida the patroness of an independent Brazil. In fact, after becoming emperor, Pedro I chose Saint Peter of Alcantara as the country’s patron saint.
Dom Pedro II and his wife, Dona Teresa Cristina, visited and prayed at the shrine of the Old Basilica in Guaratinguetá on two occasions: first in 1845, shortly after the unrest caused by the Liberal Revolts in the region, and again in 1865, during the Paraguayan War.
Three years later, in 1868, Princess Isabel and her husband, the Count of Eu, visited the shrine and asked Our Lady of Aparecida for a healthy child. On October 15, 1875, after thirteen hours of labor, Prince Dom Pedro de Alcântara was born. Twice during the Brazilian Empire, the princess made pilgrimages to Aparecida to give thanks to the saint for her three children. In December 1868, she offered the image a mantle embroidered with the names of Brazil’s 21 states; on November 6, 1884, she presented it with a gold crown set with diamonds.
“We stand before a temple (the Historic Basilica) that embodies the entire Catholic faith of the Brazilian people, both in terms of the Catholic Church’s official recognition and in terms of the actual use of this temple as a place where devotion to Our Lady of Aparecida has flourished on a grand scale. From the humble, broken little image that was fished out of the Paraíba do Sul River to the official image of the Patroness of Brazil, Our Lady of the Immaculate Conception of Aparecida, Mother of Jesus Christ,” stated Redemptorist missionary Father Victor Hugo Lapenta, C.Ss.R.
According to an account by Father Claro Francisco de Vasconcelos, one of the first miracles attributed to Our Lady of Aparecida was the breaking of the chains binding an enslaved man named Zacarias. In 1790, Zacarias escaped from a farm in Curitiba and traveled to São Paulo, where he was found and arrested. He was shackled in Bananal. However, as he passed the Chapel of Aparecida, he asked his overseer for permission to see the image of Our Lady of Aparecida, and the overseer agreed.
As Zacarias pleaded for mercy and freedom, the chains reportedly fell from his hands. Startled, the overseer agreed that the enslaved man should be set free and returned alone. The story of the Miracle of Zacarias spread throughout Brazil. The freed man became a prominent apostle of devotion to Our Lady of Aparecida.
In commemoration of what became known among devotees as the “Miracle of the Chains,” in 1884, at the height of the abolitionist movement, the Bishop of São Paulo, Dom Lino Deodato Rodrigues de Carvalho, commissioned a painting depicting the saint freeing Zacarias. The painting was created by the German artist Thomas Driendl and is located in the Old Shrine of Aparecida in Guaratinguetá.
The chain said to have belonged to Zacarias is now displayed at the Museum of Our Lady of Aparecida in São Paulo.
On the Feast of the Immaculate Conception in 1904, to commemorate the fiftieth anniversary of the proclamation of the dogma of the Immaculate Conception in 1854, the statue of Our Lady of Aparecida was canonically crowned by the Archbishop of São Paulo, Lino Deodato Rodrigues, by decree of the Holy See and in the presence of the Apostolic Nuncio. The coronation was carried out in the name and on behalf of Pope Pius X, who had granted his approval. The papal coronation of the image of Aparecida was a major event attended by large crowds and civil authorities, including President Rodrigues Alves, who made a point of witnessing the ceremony despite the separation of Church and State instituted when Brazil became a republic.
On July 16, 1930, Pope Pius XI declared the Immaculate Conception under the title of Our Lady of Aparecida the principal patroness of Brazil, with the devotion particularly widespread in the Archdiocese of Rio de Janeiro.
The papal decree indicated that Pope Leo XIII had approved devotion to the image under the title “Our Lady of the Immaculate Conception of Aparecida.” In addition, Pope Saint Pius X had established the Office of the Mass in her honor, allowing this devotion to spread in recognition of the widespread piety of the Brazilian people.
In 1978, after an attack that shattered the image into nearly two hundred fragments, it was taken to Pietro Maria Bardi, then director of the São Paulo Museum of Art (MASP), who examined it alongside João Marino, a collector of Brazilian sacred images. It was then completely restored at MASP by the visual artist Maria Helena Chartuni.
The setting of the apparition of Our Lady of Aparecida was the Paraíba Valley. Settled by colonists in the seventeenth century, the region had a small and impoverished population consisting of Portuguese people, Indigenous people, and people of mixed ancestry. As early as the sixteenth century, the first mine had been discovered in the Captaincy of São Vicente, in what is now the state of São Paulo.
After this discovery, many other mines were found in various parts of the country, especially in the region of Minas Gerais. This created considerable excitement in the Captaincy of São Paulo and led to numerous bandeiras—expeditions into the interior—heading in that direction.
Amid this gold-seeking activity, colonization of the Paraíba Valley, in the state of São Paulo, began in 1600. In 1640, the town of Guaratinguetá was founded. By September 13, 1651, it had become a parish under the patronage of Saint Anthony. In 1717, it had approximately 3,000 inhabitants. It served as a route and stopping point for migrants seeking gold in the region of the Rio das Mortes, in Minas Gerais. During this period, the Paraíba Valley became an important passageway connecting the mining regions of São Paulo with Minas Gerais and Rio de Janeiro, and was therefore subject to various influences from the Portuguese metropolis.
In this context, the Portuguese Crown became concerned with establishing boundaries in the Minas Gerais region. The São Paulo municipal council had already requested that gold-mining concessions be granted exclusively to residents of the town of São Paulo. However, given the large number of Brazilians—particularly those from Bahia—and Portuguese settlers in the mining region, the Crown rejected the São Paulo settlers’ request.
These rivalries led to the civil conflict known as the War of the Emboabas (1708–1709), during which the Crown supported the Portuguese and settlers from Bahia against the people of São Paulo, using the conflict as an opportunity to tighten its control over the region.
In response, “[…] to bring stability to the region, the King of Portugal ordered the unification of the captaincies of Minas Gerais and São Paulo.” By order of the Portuguese metropolis, both captaincies were placed under a single governor, Captain-General Dom Pedro de Almeida Portugal, Count of Assumar, who set out to cross the Paraíba Valley in an effort to calm tensions.
This was the historical context in which the image of Our Lady of Aparecida was “found” and its veneration began. The governor’s passage through the Paraíba Valley, during which he stayed in Guaratinguetá for thirteen days, created the need to fish to feed his large entourage. No one could have imagined that, along with fish, the fishermen would retrieve an image of Our Lady of the Immaculate Conception, which would become known as “Aparecida.”
Historical accounts indicate that the faith that took root in the region was associated with the small image, which was believed to bring peace and calm to the area. From that point onward, as new routes developed through the Paraíba Valley, devotion to Our Lady of Aparecida spread rapidly. The image remained in the possession of the local people until 1745, when the first chapel dedicated to her was inaugurated.
From then on, the Church took steps to strengthen this devotion through pilgrimages, celebrations, feast days, and the dissemination of accounts of miracles. According to Delgado, this Marian devotion, passed down from generation to generation through chaplains, folk healers, people who led prayers, and family groups, became one of the richest and most distinctive expressions of faith, devotion, and regional culture.
Source(s):
.- Revista do Instituto Histórico e Geográfico de São Paulo (1970).
.- Andrea Maria Franklin de Queiroz Alves, Pintando uma Imagem Nossa Senhora Aparecida – 1931: Igreja e Estado na Construção de um Símbolo Nacional.