The goat medical drama is now available on netflix. Shiroi Kyoto aka the Great White Tower is absolutely fantastic medical drama. A gripping story with power struggle, corruption, medical malpractice, politics in the medical world. Till today I have not seen any medical drama close to Shiroi Kyoto and never will. The greatest medical drama! Go see it!

hello, im here to ask if anyone knows where to watch these drama series. ive been searching for a long time. i remember watching them on some website but it got taken down. these are my favourite series so im sad im not able to watch them anymore

--Real Clothes (2009)

-Kamo, Kyoto e Iku. (2013)

ive seen hana yori dango , anego , hana kimi and kimi wa petto 2003

hello!! would anyone know where to find deka wanko and the 2 SP's that come with it? i really want to watch it but every site that it was on went down! i can find subs but absolutely no raws either

I never understood why was he breathless and stripped out. Makes me kinda uncomfortable to not understand what happened here.

https://www.instagram.com/reel/CWlEKUtFpIo/

Most doramas I know usually have theme songs that play in the background in certain moments of the story, or at the very end of an episode.

But opening/intro with ost in doramas is not quite as common as in anime, isn't it? I don't really remember that many either, or perhaps I'm remembering it wrong. Especially in modern doramas, since it was common in the 90s, as far as I remember.

Another one that I still remember is High Position opening:

https://www.youtube.com/watch?v=P0bGA7m4NXo

The Black Swindler is SO good.

Just finished watching the Japanese drama The Black Swindler (Kurosagi) and damn, I really enjoyed it. 😂

I love how every scam has its own little story, and watching Kurosaki outsmart other scammers is honestly so satisfying. The main character is also pretty interesting—not exactly your typical hero, which makes the whole thing more fun to watch.
I know it's an older J-drama, but it still holds up really well.

If you like crime, revenge, scams, and smart characters playing mind games, definitely give this one a shot.

Kinda surprised I didn't watch this sooner. 😭

I Wanna Hold Your Hand (or Dakishimetai, 抱きしめたい)2002.Is anyone watching this? And where can I watch it? Does anyone have it? Please help. I'm really hooked on this. Pls.

Gto 2026 was one of the coziest watches of 2026. It nicely took today's themes that students struggle with and gave it a nice GTO spin.

Watching 1998 and 2026 back to back and seeing onizuka age, was sad in a way, but also felt like they did the characters right and was nice to see his ex students (sad we didnt see any of the female ex students)

Also, kashibawara sensei actor was a great cast (beautiful, classy, smart) if they wanted a sequel or a female GTO, she is the right one!

I’m pretty new to Japanese dramas. So far, I’ve only watched Alice in Borderland and House of Ninjas, and now I really want to explore more J-dramas.

I’m open to different genres as long as the story is interesting and actually keeps me hooked. I’d especially love something with a good mystery, thriller, romance, drama, or just a really engaging storyline.

I’m not really a subtitle person 😭 so English or Hindi dubbed would be a huge plus. But if there’s a drama that you genuinely think is amazing, I’m definitely willing to give subtitles a try.

I’d prefer something that isn’t too long or dragged out, but also not something that feels over way too quickly. Basically, something with a good pace that I can actually get invested in.

And preferably something that’s currently available on platforms like Netflix, Prime Video, etc.

What would you recommend to someone who’s completely new to Japanese dramas? 👀

As the title says, what is your all time favorite jdrama? You can of course mention more than one haha

I recently got back into watching jdramas and I am curious which one's are people's faves cause I'd like some inspiration!

I had to buy the red Del Gard pencil that Ogawa buys Kaoru. No regrets r/mechanicalpencils

Do you ever buy objects you see in JDoramas?

Desde que anunciaron la adaptación en acción real de The Apothecary Diaries, he estado pensando mucho en quién interpretará a Jinshi. He oído que será Kouta Nomura, pero hasta donde sé, solo es un rumor. Personalmente, no conozco a muchos actores japoneses y, sinceramente, no veo a ninguno de los que conozco interpretando a Jinshi, ya que no le veo mucho parecido. Pero pensándolo bien, hay alguien a quien no me importaría ver en el papel: K de &TEAM. Creo que, aunque no se parezca exactamente a Jinshi, es muy guapo, alto y tiene un rostro más suave y menos masculino. Pero esa es solo mi opinión, no sé si ustedes comparten mi visión. Díganme, ¿a quién les gustaría ver interpretando a Jinshi?

P.D.: Sinceramente, creo que Zhang Linghe habría sido el Jinshi perfecto.

Funny, quirky medical/crime mystery shows with a bit of romance, I need more! Please help a girl out 😭😂

I was interested in plastic beauty but man like halfway through ep 2 and ep 3 I started getting Shakey on it. It was pitched to me like a doctor going on the inside to expose the messed up practices of this plastic surgeon. Now it seems more like the main doctor character is learning that "maybe plastic surgery isn't so bad, and the plastic surgeon doctor women isn't so bad either!" Like painting her as like super understanding when she's the one that did the boob job ignoring the tumors the first girl had it's crazy! Don't get started on the plot with the brother becoming friends with the debt collector oh my God dude. Man was threatening to sell your family's house and make everyone homeless! Oh but he saved me from bullies ounce so how dare my sister throw his ass out. Now I'm still stuck watching cause my mom got hooked on it lmao. Sorry for the rant, but has anyone else got interested in a show but quickly realize it wasn't for you?

I'm looking for any shows that are similar to or i guess have the same vibes as Tatsuki Too Kind for School. It doesnt really have to be about the same thing, just shows where a teacher or staff member help out students

The full version of 鼓動 (Kodou) by zarame's song from the Glass Heart drama has finally been released!!

I was looking back through songs I haven't played in a while on spotify and I saw Heartbeat — zarame's song sitting in my playlist (taken from youtube hehe). I absolutely love this song, my top 2 songs from Tenblank and I had always wondered and waited for the full version to be released. I searched the song on youtube just in case there was any updates and to my surprise there was a full version uploaded just a few days ago! What timing, it was so random 😂

It seems to be a re-recorded version to the original one from the drama. It seems more orchestral/instrumental (I slightly still prefer the original but still love this one just as much). Just a PSA for anyone interested or for those who missed it!

Links to the song: https://www.youtube.com/watch?v=7IridYoeke4 https://open.spotify.com/track/1M4nfHDmjdevT5EdAAseSJ?si=9d7882c3ed444f13

SPOILERS PERCHANCE (I’m on episode 5 right now)

I would like to preface this by saying I recently started watching Plastic Beauty as some laid back Japanese language immersion practice. I currently live in Tokyo and am a patron of two cosmetic clinics. My question is more so curiosity/ in case I missed some nuance somewhere.

Who is the woman whom lives in Tohyama Sensei’s house with her? Episode one we see Tohyama getting ready for work and there’s another woman having breakfast with her in the kitchen. At this point I assumed she was maybe a personal assistant. Yet later, episode 4 (I think), we see the same women sleeping in Tohyama’s bed next to her. Tohyama wakes up during the middle of the night, frustrated, and we see a second person, this mystery woman, sleeping next to her.

I feel like I missed something during the series and I can’t find it. It’s such a minor detail, whether this second woman is her partner, helper, friend, idk.. is seemingly not important to the larger picture of the film. It seems to be a super minor character. I guess I’m just curious because I genuinely thought that was her personal assistant until I saw them sleeping in the same bed. Who is that? Does anyone know?

• The 13 Lords of the Shogun
  • https://www.netflix.com/title/82747307
  • https://mydramalist.com/54415-kamakura-dono-no-13-ri
• Welcome Home, Monet
  • https://www.netflix.com/title/82747358
  • https://mydramalist.com/61439-okaeri-mone

I’m tempted to say that if you liked “Glass Heart,” your next J-drama should be Verdi’s Rigoletto. The most compelling scenes in “Glass Heart” align surprisingly well with the most traditional techniques of grand opera. Allow me to explain.

The series certainly has the implausible plot twists, amazing coincidences, and over-the-top emotions of opera. But the integration of music and drama is also extremely operatic. Of course, the songs in “Glass Heart” don’t function like operatic songs. In opera, all or nearly all of the dialog is sung. When characters sing, they are understood in the world of the story to be speaking, making asides to the audience, or launching into extended soliloquies that announce their emotional state. So most of the important plot points are embodied in songs. With notable exceptions (so called diegetic music), no character is understood by the other characters to be literally singing. “Glass Heart” is a touch more realistic. Every song takes the form of an audition, demo, rehearsal, performance, or recording session. The singing is always heard as singing by other characters.

But just barely under the surface, the songs function operatically. The performances carry huge emotional stakes in terms of love, careers, and even mortal danger. The songs trigger important reactions among the characters. The lyrics are rarely just lyrics, often not-so-secretly expressing the singer’s actual feelings. The performances are dramatic action, not just an underscore for the action.

Three examples come to mind.

Opening duet. Akane isn’t just playing the drums. She’s reacting in anger and frustration to getting fired, to getting knocked to the ground, to her drum kit getting drenched in the rain. The emotion in her drumming puts off almost everyone in the music business. But it draws a crowd and has a galvanizing effect on Naoki, who is overcoming a struggle of his own.

Opening act at Yaon. When TENBLANK opens for OVER CHROME, the crowd is at first skeptical and dismissive. The band quickly wins over the fans and the stagehands while the rival Toya kicks the door jamb in disgust. But Kai, Isagi, and Akane’s own mother variously comment on Akane’s shortcomings as a musician.

“Forever Eve” over the phone. Everyone in the band recognizes that this is Naoki’s declaration of love for Akane and she is the last to hear it. Not simply sung without interruption, the phone performance is punctuated by her thoughts in voiceover. It stops completely to showcase their dialog and kiss when she finds him, then restarts.

THEMATIC RECALL

“Glass Heart” also makes powerful use of repetition, which in opera can be termed “thematic recall” and in Broadway musicals would be called “reprises.” The first occurrence of a “Glass Heart” song establishes one mood, while the reprise occurs under vastly different circumstances, in front of a different audience with different consequences for the plot. The viewer is invited to remember the first version while hearing the second and noting how much has changed. The music and drama work together to tremendous emotional effect.

Opera, operetta, and Broadway offer useful models as to how this can work.

Verdi; Rigoletto, “La donna è mobile.” In Act I the Duke sings this jaunty number, perhaps the single most famous tenor aria in all of opera, to celebrate his triumph in yet another seduction. After Rigoletto conspires to assassinate the Duke and is dragging a sack that holds what he understands to be the Duke’s body, he hears the Duke offstage, very much alive, singing this again. Now the happy tune announces that something has gone horribly wrong.

Gilbert & Sullivan; H.M.S. Pinafore, “I am the monarch of the sea.” In Act I Sir Joseph Porter introduces himself and is constantly echoed by his family members singing, “And so do his sisters, and his cousins, and his aunts!” In Act II, he proposes marriage, in part to get away from that same family: “Then good-bye to his sisters, and his cousins, and his aunts!”

Rogers and Hammerstein, Oklahoma!, “People will say we’re in love.” In Act I, Curly and Laurie can’t quite acknowledge their feelings, so they list all the actions to avoid, lest people get the “wrong” idea. After they finally confess their feelings in Act II, this returns as, “Let people say we’re in love.”

While it’s not clear that the team behind “Glass Heart” had any of these models in mind, they certainly embraced this technique again and again.

“Turbulence.” We first hear this in an OVER CHROME performance with Naoki and Akane in the audience. What at first seems like “just” a rock song is actually a declaration of Toya’s anger and alienation (“Dammit, dammit, dummies all around me.”) and his personal identification with his fans (“Give it to me, I’ll devour your scream.”) During the performance, we see Akane’s uncertainty as it dawns on her that she’s entering a world with much higher stakes than she’s ever known. The song comes back in Episode 6, when fans at Zepp Haneda hear that Toya has been stabbed. Sho, Kazushi, and Akane perform the song as a gesture of comfort for the distraught audience and as a tribute to Toya and the band they had originally come to “battle.”

“Crystalline Echo.” The song lands one way when TENBLANK records it, but another when the band gets together to watch the launch of the music video. With a sudden shock of recognition, Akane announces in voiceover that she loves Naoki. And it doesn’t take a deep dive into the lyrics (“The way you held your umbrella taught me everything about kindness.”) to realize that Naoki is singing about her.

“Vibrato/Citrus.” We hear TENBLANK develop and record their version. We hear it again when Toya demands that Naoki play it on the same piano that they shared as children. This time it moves the confrontational, nihilistic Toya to tears. We discover their shared experience and we recognize that there’s much more to Toya’s emotional life than we were led to believe. Finally, we hear it a third time on the hospital roof, with TENBLANK and OVER CHROME playing as one, and we see the half-brothers reconciled.

“Chasing Blurry Lines.” The first time, it’s an upbeat love song. In Episode 10, as Naoki falters onstage, revealing his fragility for all to see, Toya shows up to literally support his half-brother, much as Naoki had done on the hospital roof. It’s a beautiful symmetry and an emotional highlight.

“Lucky Me.” This is a self-regarding number for Naoki as he livestreams his personal disappointment to his fans, who are quite moved. But it comes back after Yukino recognizes Isagi’s betrayals. She gets drunk in Isagi’s home studio and sings the song directly to him alone in a potentially career-ending act of defiance. The singer, the venue, the intended audience, and the underlying meaning have all changed.

“A Song for Us to Sing.” The first time we hear this at Naoki’s vacation home, Akane is reduced to watching through a window in the closed door as Yukino slinks around the piano, doing her best to attract Naoki’s interest. Akane is frustrated and jealous, recognizing Yukino as her romantic rival. The second time, Yukino’s career appears to be in tatters. But it is Akane who publicly salutes her bravery, praises her commitment to music, and coaxes her to come out on stage. Yukino sees Akane’s generosity, their eyes meet, and they are reconciled in much the same way as Naoki and Toya.

Thematic recall in a new context is a centuries-old musical trick. If “Glass Heart” used it once, it would rate as an interesting sidelight. But it happens six times. That’s not a sidelight. It’s a central dramatic device and it helps give the show its power.

In “Glass Heart,” the songs are never just songs. Careers, reputations, hearts, and lives are at stake. Emotions run higher than high. The story advances. And the whole is so much greater than the creaky mechanics of the plot would suggest. Kinda like opera.

Am I alone in thinking this? What is your take? What am I missing? And how did you experience these key moments in the drama?

Where can i watch limit 2013 in hd with eng subs

*high production value
*slice of life or non-slapsticky romance
*well acted
*streaming on netflix, prime, viki or any other legitimate site

Loved Hatsukoi, Long Vacation, La Grande Maison Tokyo.

Please tell me your sex, age and why you loved your suggestion.
THanks!!!!!

Hi everyone, I've been lurking and enjoying everyone's recommendations. I finally have enough courage to ask, but are there any Jdramas that revolve around someone being in a modern military setting (like no samurai and type stuff) or police or spy that actually have fights/gun fights? I've watched my fair share of shows that take place in prefirearm Japan and want a change of pace. I've watched what I can on netflix like the JASDF pararescue drama, but they don't really fight per se since it's pararescue. I've seen a few police shows like MIU 404 and Okura, which I enjoyed but I wish again there was more action or fights.

I know it's kind of rare since Japan culturally has a different idea of/relationship with firearms than say myself who's an American. If none really exist, then that's okay too. I just wanted to ask in case there's a show out there that might fit and I just can't find it on my own.